Dvořák: Symphonies Nos 7 & 8 (SWR Classic)
A potentially attractive coupling, quite well played but too low-key and lightweight. [RMo]
The Score – Interviews with Film Composers (Silman-James Press)
(Déjà Review) This is a book that is well overdue. It is an inside look at the working life of the people who compose for films against ruthless deadlines and the dictates of production teams [IL]
Dutilleux: Symphony No 2, Métaboles & The Shadows of Time (EMI Classics)
(Déjà Review) The fine cohesive forces and undeniable emotive power of these pieces should surely serve to guarantee them a lasting place in the repertoire … the more one listens, the more there is to discover [CC]
Stanford: Shamus O’Brien (Retrospect Opera)
The premiere recording of Stanford’s fourth opera in an excellent performance [JQ]
Wilder: Music for piano (Albany)
Charming pieces, well stated and beautifully played [JF]
Scott: Orchestral Works Volume Three (Toccata Classics)
Appealing lighter music, when it hangs together [SV]
Rieti: Complete Piano Solo & Duo Works • 2 (Grand Piano)
Rieti is one of those composers you wish you had discovered years ago [SA]
Schumann & Brahms: Chamber Music (Naxos Historical)
(Déjà Review) A real feeling here of spontaneity and depth of expression [TH]
Verdi: Nabucco (Deutsche Grammophon)
(Déjà Review) Worth the price for Guleghina’s Abigaille [RJF]
Mahler: Symphonies 5, 7 & 8 (Pristine Audio)
A specialist issue, but Mahler devotees and admirers of Sir Adrian Boult will find it fascinating [JQ]
Donizetti: L’esule di Roma (Opera Rara)
An opera overlooked for far too long is presented in the best possible light [MC]
Pierre Cochereau (organ) The Album of the Centenary (Solstice)
A worthy tribute to a fine musician [SG]
La Belle Dame (EM Records)
Largely early and apprentice works from British composers; sift with care [JW]
Bach & Shostakovich: Salvation (Brilliant Classics)
An unlikely concept that seems to work better than expected [NC]
Vivaldi: Music for the Chapel of the Pietà (Avie)
(Déjà Review) Exuberant and often full of élan and humour [GPJ]
Tippett: A Child of Our Time (Naxos)
(Déjà Review) An indispensable purchase for all admirers of Tippett and all lovers of the English choral tradition [JQ]
Romantic Songs – So tief im Abendrot (Hänssler Classic)
Disappointingly inadequate performances of Lieder arrangements, neither necessary nor desirable [PT]
Jakub Józef Orliński (countertenor): Beyond (Erato)
A captivating 17th century programme [DF]
Charpentier & Desmarest: Te Deum (Alpha Classics)
Even if one does not need another Charpentier’s Te Deum, Desmarest’s setting deserves attention [JV]
A Room of Her Own (Chandos)
The Neave Trio charm us in this collection of rarities [RCh]
Saint-Saëns: Organ music (Naxos)
(Déjà Review) An excellent opportunity to move beyond the familiar [JF]