Author: Laurence Slater

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Handel, Blow and Boyce: Choral Music (Hyperion)

Déjà Review) Certainly worth hearing for the music itself, especially the Blow and Boyce [JS]

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Beethoven: Symphonies 5, 6 & 7 (Harmonia Mundi)

Some good things here but a Pastoral I wish I’d not heard [DJB]

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Vaughan Williams: From Ursula, with Love (Albion Records)

A treasury of Vaughan Williams, preserved with Ursula’s love [JF]

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Schubert: Die schöne Müllerin (Signum Records)

A brave experiment in exemplary and intelligent singing, but go to Roderick Williams’s earlier recording for a more traditional pairing [SGa]

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Schwindl: Symphonies (Capriccio)

One of those new classical discoveries that don’t come along every day [DC]

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Gordon: Field of Vision (Cantaloupe)

A vast sonic experience that is worth encountering [DC]

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Aldridge & Copland: Clarinet Concertos (Naxos)

(Déjà Review) An enjoyable new concerto and an old favorite, played with love and wit [BR]

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Bridge, Britten & Bax: Sonatas for cello and piano (Hänssler Classic)

(Déjà Review) A very special issue [BBr]

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Ladies First (Indésens Calliope)

A skilfully planned and beautifully played recital showcasing music of real quality [NB]

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House of Wonder: Sally Beamish Celebrates 70 Years (Delphian)

A fondly compiled, superbly performed 70th birthday celebration of Sally Beamish [PC]

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Schubert: Songs (Harmonia Mundi)

A very pleasing third instalment of this Schubert project – interesting and beautifully performed [DJa]

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Salieri: Il mondo alla rovescia (Dynamic)

(Déjà Review) A fascinating work in a pleasing debut recording [GPu]

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Wagner: Operatic Excerpts (Naxos Historical)

(Déjà Review) Reference pointers to incandescent live performances which, incredibly, take the drama and even the sound to a higher level [DH]

Chamouard: Orchestral Works (Indésens Calliope)

Slow and meditative music which could have been orchestrated for greater colour and effect [EJW]

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Saxophobia: Celebrating the saxophone craze of the 1920s (Chandos)

A fun disc for lovers of the saxophone or the 1920s [SB]

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Orff: Carmina Burana (Pentatone)

An individual vision that doesn’t quite come off [DJB]

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Duruflé: Messe Cum Jubilo (Psalmus)

Duruflé’s sacred masterpiece, restored in context [JF]

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Strange Loops: Clarinet Quintets (Signum Classics)

Lyric rhapsody, looping modernity, dazzling bravura [JF]

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Bruckner: Symphony No 9 (Gramola)

Ballot’s somewhat pacier re-make of the Ninth combines grandeur with a certain deliberateness, while the finale fragments provide scholarly interest [RMo]

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Royer: Harpsichord Works (Ambroise)

(Déjà Review) Works, varying from tender to tumultuous, are given brilliant performances on a splendid historical harpsichord [JV]

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Plácido Domingo – The First Recital (Warner Classics)

Déjà Review) Open-toned, virile and expressive singing [RJF]

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Beethoven: Symphony 5 & Strauss: Ein Heldenleben (BR Klassik)

First releases of the second of only two appearances by Ozawa with the BRSO in satisfying, if unremarkable, performances [RMo]

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Milestones (Signum Records)

A very nice thing to have around, or to give as a gift to more musically conservative friends [DC]

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Malin Byström (soprano): German Opera Scenes and Arias (BIS)

Byström is an estimable artist but voices are a very personal thing – hers is not for me [ST]