Opera

Reviews of full operas as well as collections and recitals of arias

Tchaikovsky: The Queen of Spades (Opus Arte)

(Déjà Review) Tells the story compellingly with excellent singing and playing from everyone [ST]

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Leonard Bernstein Conducts Wagner (Gala)

Extended extracts from three Wagner operas showcasing Bernstein and a trio of great American Wagner singers in top form [RMo]

Giordano: Marina (Decca)

A taut, highly dramatic and skilfully crafted verismo melodrama, which certainly justifies its revival [RMo]

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Gounod: Faust (Warner Classics)

(Déjà Review) This Rizzi set trumps its competitors in many ways, not least the singing of Hadley and Gasdia [GF]

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The Republic of Love. Opera and Political Freedom (Oxford University Press)

A philosopher takes a thought-provoking and timely look at opera [DHa]

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Salieri: Il mondo alla rovescia (Dynamic)

(Déjà Review) A fascinating work in a pleasing debut recording [GPu]

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Wagner: Operatic Excerpts (Naxos Historical)

(Déjà Review) Reference pointers to incandescent live performances which, incredibly, take the drama and even the sound to a higher level [DH]

Vaughan Williams: Riders to the Sea (EMI Classics)

RVW’s dark, atmospheric Irish tragedy and two works lamenting and celebrating the power of love [RMo]

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Mozart: Arias (Deutsche Grammophon)

One of the most thrilling bass recitals that has come my way [GF]

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Mozart: Cosi fan tutte (C Major)

A rehearsal-room Così fan tutte that doesn’t ignite [DHa]

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Rossini: Il turco in Italia (Philips)

One of the best in a limited field [SW]

Wagner: Die Walküre (Pristine Audio)

This reissue may still have sound issues, but Amy Shuard’s performance alone makes it a worthy addition to anyone’s collection [SGa]

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Handel: Ariodante (Erato)

(Déjà Review) Performed with stylish affection [JW]

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Beethoven: Fidelio (Profil)

Defying its sixty-six years the sound quality of Keilberth’s Fidelio is certainly remarkable for its age [MC]

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Wagner: Tristan und Isolde (C Major)

A fine achievement which is decidedly more than the sum of its parts [MP]

Beethoven: Fidelio (Decca)

(Déjà Review) This Fidelio will surely be one of the most important releases of 2011 [JQ]

Rangström: Kronbruden (Sterling)

A fine first recording of Rangström’s most important opera [WK]

Rossini: Il barbiere di Siviglia (Pristine Audio)

A classic Barber returns to the catalogue in better sound than ever [ST]

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Montserrat Caballé (soprano): Rossini, Donizetti, Verdi: Rarities (RCA)

A classic recording which as a collection represents a repository of all that was best about Caballé’s art [RMo]

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Mozart: Don Giovanni (Channel Classics)

This new, spirited version of the opera, while not really standing out, is well worth considering [DJa]

Martin: Der Sturm (Hyperion)

(Déjà Review) Magically re-imagined and brought to harvest [RB]

Puccini: Heroines (Pentatone)

Sondra Radvanovsky demonstrates that she shares in Puccini’s gift for dramatic expression [MC]

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Andrew Kennedy (tenor): Arias by Gluck, Mozart and Berlioz (Signum)

(Déjà Review) Andrew Kennedy does Berlioz proud [GF]

Halévy: La Juive (Naxos)

A warhorse in excellent performance but problematic production [SB]