September 2026

Gilbert & Sullivan: 
Trial by Jury; Hession: A Matter of Misconduct! (Opus Arte)

A sparkling musical take on legal and governmental follies [RW]

Auber: Overtures vol.9 (Naxos)

More goodies in this valuably enlightening series [RMay]

Imogen Cooper (piano) Schubert & Beethoven (Nimbus Records)

Satisfying performances from a great pianist at the start of her career [WH]

British Concertante (Heritage)

Concertante miniatures with character and poise [JF]

Come to the River: An Early American Gathering (Avie)

(Déjà Review) A very enjoyable disc which can be played as a whole – repeatedly – with great pleasure [JS]

Beethoven: Cello Sonatas No.2-3 (Forgotten Records)

(Déjà Review) Fresh and full of life, and will leave you wishing there was more [GA]

Anne-Sophie Mutter (violin): American Tunes #1 (Alpha Classics)

Some wonderful music making, but not quite enough of it [PRJ]

Osborn: Tomb! (Delphian)

Four world premiere recordings of chamber works with plenty of personality, humor, intelligence and edge [ACG]

d’Albert: Piano Music 1 (Grand Piano)

A neglected Romantic voice revived [JF]

Durey: Mélodies (MDG)

A most welcome release shedding light on a little-known byway of French art song and its composer [HC]

Olsen: Orchestral Works (BIS)

(Déjà Review) Much in common with Grieg perhaps spliced with Saint-Saëns and even Bizet [RB]

Mussorgsky: Boris Godunov (Opus Arte)

(Déjà Review) The young Bulgarian bass Orlin Anastassov will surely grow into one of the great interpreters of Boris [RJF]

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Portraits and Serenades (Pixaudio)

A delightfully eclectic programme of string music and song, beautifully played and united by a prevailingly elegiac mood [RMo]

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Hingeston: Fantasy-Suites (cpo)

Hingeston is “something of an inside secret” [DC]

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Franck: Symphony & Khachaturian: Violin Concerto (Audite)

A splendid double treat, with everyone at the top of their game [SGa]

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Mahler: Das Lied von der Erde (Hänssler)

(Déjà Review) A marvellous reading overall, though with one curious and questionable characteristic [WH]

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Weber: Overtures (BIS)

(Déjà Review) A very distinguished collection which avoids any hint of the routine [JS]

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Hedges: Complete Piano Music, Vol 1 (Divine Art)

The beginning of what promises to be an important, recorded survey [MMl]

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Lassus: Requiem (Ricercar)

Expert singing of de Lassus’ sinuous polyphonic writing in two contrasting funeral masses, but marred throughout by growling basses [RMo]

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Prokofiev, Villa-Lobos & Poulenc (Fuga Libera)

Three delightful Neo-classical gems [DJB]

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Stracchi: Shakespeare’s Mirror (Hunnia Records)

A gentle interweaving of Shakespeare and music [DC]

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Chopin & Stravinsky: Piano Concertos (Pristine Audio)

(Déjà Review) Mewton-Wood is a pianist who demands investigation, especially for one of the finest performances on disc of the Chopin [CH]

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Venables: Chamber Music (SOMM Recordings)

(Déjà Review) This impressive disc deserves the widest possible exposure [DJ][RB]

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Vaughan Williams: From Ursula, with Love (Albion Records)

An interesting but unremarkable collection [NB]