March 2026

Suzuki finds Lobgesang as hard a nut to crack as those who have tried before him [DJB]

A truly unjustly neglected composer, who deserves much greater attention [EJW]

Broad and relaxed, clearly articulated but without the contrasting fire and anguish of the best version [RMo]

More Romantic discoveries from a little-remembered German [JW]

Effortlessly impressive performances typify another fine Albion release [NB]

(Déjà Review) One of the finest recordings of these Mahler songs by today’s leading interpreter of these works [KM]

(Déjà Review) What a splendid undertaking [JW]

A recording of Lechner’s music is very welcome, but the performance practice is debatable [JV]

The frequent coughing and only intermittently satisfactory soloists make this a bit of a trial [RMo]

A marvellous reminder of one of the best voices on record [DJa]

Electrifying pianism from a poetic genius of the instrument [PH]

A mixed bag, but the Quintet has definite merits [DJB]

Some good singing in this bel canto gem; pity about the pathetic set and non-production [RJF]

An outstanding recital [RBe]

Fine readings – almost, but not quite, the genuine article [SV]

A serviceable Pathétique, but not a great one [ST]

Very good performances of an unexpected coupling [JQ]

A dark horse account of Mahler’s Tenth Symphony to rival any other [RMo]

Excellent performances, sung in English, so particularly interesting [SB]

(Déjà Review) Domingo adds this Loris to his studio recorded audio legacy [RJF]

(Déjà Review) Nebolsin is the real thing, a genuine virtuoso who can interpret Chopin with imagination and style [RC]

by Christopher Rowland

by Christopher Howell

(Déjà Review) Outstanding … full of rich, sonorous and decidedly beautiful choral music {MS}