March 2026
Rimsky-Korsakov: Scheherazade (Naxos)
(Déjà Review) I put the disc on expecting ‘decent’, but it’s spectacular [BR]
Monteverdi: Vespers of the Blessed Virgin Mary (Signum Classics)
(Déjà Review) In a word: magnificent [JS]
Purcell: Dido and Aeneas (Nimbus Prima Voce)
(Déjà Review) Fascinating to hear such singers as Flagstad and Schwarzkopf in these roles [EML]
Messiaen: Harawi & Trois Mélodies (Naxos)
(Déjà Review) An assault on the senses, but not to be missed [DC]
Nenov: Music for solo piano (CRD)
A discovery that deserves any serious piano music collector’s attention [DC]
Mahler: Symphony No 5 (Reference Recordings)
An impressive Mahler 5 in superb sound [DHa]
Brian: Symphony No 1 ‘Gothic’ (Heritage)
A tremendous performance of this legendary work [PRJ]
Chamber Music by Film Composers (Antarctica Records)
A fascinating programme performed with exceptional skill [NB]
Tommy Mesa (cello): 17(67) (Azica)
A beautiful sounding instrument, beautifully played, but a programme that lacks contrast [DJB]
Berio: Coro; Žuraj: Automatones (BR Klassik)
A contemporary classic, a work possibly destined for that status [RWe]
Enrique Jordá (conductor): Spanish Music (Pristine Audio)
A fresh look at a controversial conductor [SV]
Garro: Masses and Motets (Hyperion)
The first major recording of sacred works by a shadowy master who worked in the Royal Chapel in Lisbon [GH]
Nikolaus Harnoncourt (conductor): The Complete Teldec Recordings (Warner Classics)
Consistently thought-provoking [DF]
Vaughan Williams: Landscapes (NoMadMusic)
A fine, extensive survey; the listening pleasure will depend on one’s response to the tenor’s very particular singing style [NB]
Mozart: Symphonies 39 & 41 (Soli Deo Gloria)
(Déjà Review) Fine, vital live performances of two of Mozart’s greatest symphonies [JQ]
Vaughan Williams, George Butterworth: Songs (Nimbus Records)
(Déjà Review) English songs meet a thoughtful and highly sympathetic exponent with an unmistakable voice [RB]
Keiser: Der Carneval von Venedig (cpo)
A first recording which benefits from splendid engineering but some of the singing lacks the final degree of polish [MP]
Smetana, Dvořák & Suk: Bohemian Legacy (Challenge Classics)
A trio of Bohemian chamber works played with energy and passion [RMo]
Maria Tipo (piano): Complete Erato Recordings (Erato)
The uneven but unignorable Maria Tipo, too often let down by recording acoustics, but soaring high in Clementi and Scarlatti [JW]
Vellère: The Music Comes as it Likes… (Musique en Wallonie)
A most welcome introduction to Lucie Vellère’s music [HC]
Jesús María Sanromá (piano): Complete Boston ‘Pops’ Recordings (APR)
A very enjoyable disc showcasing Sanroma’s dazzling and engaging pianism [RCh]
Mozart: Sonatas for piano four hands (Challenge Classics)
(Déjà Review) Playing that is full of stylish élan and richness of character [DC]



































