March 2026

A treasure of the Sibelius discography which deserves wider exposure [PH]

Unearthing twentieth‑century choral treasures anew [JF]

A neglected composer, most well-served in a splendiferous recording [EJW]

Tebaldi’s best Minnie, well-partnered, too – but in mono [RMo]

Wurmser’s miniatures explore impressionism when they venture out of a light salon mood [RCh]

Shostakovich’s trios are good but Roslavets is a real discovery [SB]

(Déjà Review) A popular grouping of RVW’s chamber works played with emotional fervour [RB]

(Déjà Review) This live recording has a great deal to offer [GF]

Naxos offers a real performance with warmth and life which compensates for some blemishes among the voices [MP]

An interesting Shostakovich coupling from John Storgårds and the BBC Philharmonic [DHa]

Biarent’s Cello Sonata is one of the finest composed in Belgium in the early 20th century [HC]

Chaminade’s trios should be better known, and this recording is a perfect way to rectify that [DJB]

(Déjà Review) Committed, idiomatic and sharply attuned to the composer’s sensibilities [JW]

(Déjà Review) A sensible and impressive performance with no significant weak links [DH]

A trio of early records by Alexander Gibson from the vaults [PH]

A deeply moving exploration of Vaughan Williams’s more intimate side [JF]

I had not expected to be so impressed by this recital [SB]

Voluptuous, elemental … an orchestra caught in headlong flight [RB]

Excellent performances of virtuosic sonatas [JV]

A different take on a well-known story is accompanied by a Pacini’s sure composition and an enjoyable first public performance [RJF]

The greatest soprano of our age in recital from the stage of the Met [PH]

Another enjoyable rediscovery from Nimbus [DHa]

Intensity, irony, intimacy: modernism unveiled [JF]

Some impressively vivid music here that ignites an interest to hear it in its orchestral colours [RCh]