August 2026

A fascinating juxtaposition of a musical East-meets-West in 15th century Europe, ended tragically [GH]

A dazzling treat of piano playing finally sees the light of day [RCh]

(Déjà Review) I don’t think I’ve heard a finer Schubert 4 [CH]

(Déjà Review) It’s hard to imagine more idiomatic, lively, sensitive and generally persuasive performances [MS]

An excellent complete recording of these lovely miniatures [SB]

Portsmouth Cathedral Choir shines through seasons [JF]

Interesting for the extra Tombeau movements, but otherwise not competitive [DJB]

RVW’s dark, atmospheric Irish tragedy and two works lamenting and celebrating the power of love [RMo]

(Déjà Review) An auspicious and impressive debut for this new performing team [NB]

(Déjà Review) Consistently satisfying performances that reveal Rachmaninov’s music to the listener faithfully and without unnecessary ostentation [JQ][RB]

Minimalism at its most profound; a beautiful, spiritual listening experience [ACG]

Buy this for Larderet, rather than the two new adaptations, or the ‘Complete’ tag [SGa]

Jazz‑charged virtuosity meets classical brilliance [JF]

Committed performances of interesting and rare choral works [NB]

Lott is husky and lovely in her upper register and with controlled abandon where necessary [Byz]

One of the most thrilling bass recitals that has come my way [GF]

One of the best in a limited field [SW]

A rehearsal-room Così fan tutte that doesn’t ignite [DHa]

More Dodgson songs, some weighty, some less so, all superb, from Somm [WH]

For a few quiet moments of autumnal reflection, coupled with fine, resonant and sensitive playing, look no further [SGa]

(Déjà Review) A real treat for fans of the cello: solo works imaginatively written and impeccably played [BR]

(Déjà Review) An important and challenging set that deserves a place in any self-respecting Mahler collection [JQ]

by Christopher Howell

by Alan George