rha
Richard Hanlon
Rakhi Singh (violin): Purnima (Cantaloupe)
Rakhi Singh’s exceptional playing and arranging skills in an exhilarating transatlantic contemporary violin recital [RHa]
Kuusisto: Symphony (BIS)
Two remarkably cogent pieces, each composed by more than one hand [RHa]
Hellstenius: Past & Presence (Lawo Classics)
A compelling concerto is the standout from this splendidly performed and recorded monograph [RHa]
Blackburn: Ordo (Neuma Records)
Not everything works here, but so much of this music is colourful, affirmative, original and incontrovertibly beautiful [RHa]
Decker: Ørnen 1897 (Antarctica Records)
An unusual and attractive work inspired by an obscure and ill-fated Swedish attempt on the North Pole [RHa]
Dusman: Flashpoint (Neuma Records)
A varied selection of instrumental, chamber and ensemble works from a quietly accomplished if little-known figure [RHa]
Cieślak: Niepodległa (Acte Préalable)
Despite adventurous music for the chorus, Cieślak’s earnest oratorio is confrontational and somewhat gloomy [RHa]
Egilsson & Pálsson: Skjálfti (Quake) (Sono Luminus)
An imaginative expansion on a soundtrack created for a little-known Icelandic movie, but try before you buy [RHa]
Santillán: Symphonies (Da Vinci Classics)
Oscillates between dissonant folk-inflected modernism and schmaltz; neither approach works [RHa]
Dlugoszewski: Abyss and Caress (Col Legno)
The effervescent and truly original work of a forgotten maverick in ideal performances [RHa]
Scheller: Dead Grain (Acte Préalable)
Cold, creepy, crepuscular and clever – Scheller’s eerie sounds slither delightfully under the skin [RHa]
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