Bruckner: Symphony No. 8 (Archipel)

A faintly disguised incarnation of Karajan’s classic first studio recording with the BPO, which has long been available on other labels in somewhat superior sound [RMo]

Van der Pals: String Quartets Vol. 1 (cpo)

Gently melancholic chamber works from a less-well-remembered composer [JW]

Hindemith: Cardillac (BR Klassik)

A fine tribute to the late conductor which currently has the field to itself on CD [MP]

Fux: La corona d’Arianna (Arcana)

Cuts aside, a very fine performance of one of Fux’s works for the stage [JV]

Schoenberg: Verklärte Nacht, Chamber Symphony No. 2 (Naxos)

(Déjà Review) Anyone who believes that Schoenberg is approachable only for the specialist listener should hear this disc [TB]

Stanford: Songs Vol. 2 (Hyperion)

(Déjà Review) A good representation of the strength and variety of the central, most important, part of Stanford’s career [CH]

Warlock: Maltworms and Milkmaids (EM Records)

Exemplary performances and recording expose both the strengths and limitations of this elusive composer [NB]

Purcell: Dido and Aeneas (Pentatone)

A colourful and dramatic performance of “The only perfect English opera” – with a modern twist [GF]

Nathan Milstein (violin) Mendelssohn, Bruch & Tchaikovsky (Biddulph)

The first Bruch/Mendelssohn coupling is restored, with Tchaikovsky to swell the programme [JW]

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Echoes of Bohemia: Czech Music for Wind (Chandos)

The Orsini Ensemble rises superbly to all the challenges of this colourful and attractive music [GPJ]

Bruckner: Symphony No.2 (Capriccio)

Beautifully balanced between thrilling tension and lyricism despite – or because of? – the pervasively propulsive speeds [RMo]

Beethoven: The Symphonies (Deutsche Grammophon)

Does this cycle justify its release – the answer is an enthusiastic if qualified yes [DMD]

Grechaninov: Symphony No.3 (Chandos)

(Déjà Review) The strongest of the Grechaninov CDs from Chandos – the cantata is a work of the greatest virtue [RB]

Debussy: Night in Granada (Cala)

(Déjà Review) An important addition to the Debussy discography [IL]

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Cooke: Complete String Quartets Vol. 1 (Toccata Classics)

Warmly welcomed works by a somewhat underappreciated composer [JW]

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Chopin: Robert Lortat – Complete recordings (APR)

Muscular and occasionally idiosyncratic playing from the latest discovery in APR’s French Piano School collection [RCh]

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Ekaterina Siurina (soprano) Where Is My Beloved? (Delos)

Ekaterina Siurina’s voice is in mint condition, with perfectly controlled vibrato and a glowing delivery [GF]

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Hovhaness: Mountain Fantasies (MSR Classics)

Rites of mountainous meditation here played and recorded with eloquent muscularity [RB]

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Haydn: Late Symphonies Vol. 1 (Naxos)

Thoroughly enjoyable “period-informed” performances of some favourite Haydn symphonies, light, witty and acerbic [RMo}

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Puccini: Il trittico (Unitel Edition)

The superb Asmik Grigorian sings all three female leads in the generally impressive performances from the 2022 Salzburg Festival [RWe]

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Bach: Organ Music Vol. 12 (Nimbus)

(Déjà Review) No Bach lover should be without some of Kevin Bowyer’s recordings of this perennially fascinating music [PGW]

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Bottesini: Double Bass Concertos (cpo)

(Déjà Review) The performances have fire, commitment and eloquence, and will surely convince even the most sceptical of listeners [TB]

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Joseph Szigeti (violin) European Columbia Recordings Vol. 4 (Pristine Audio)

The final furlong for Szigeti’s legacy on Pristine Audio with top-notch Obert-Thorn restorations [JW]

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Avant l’orage (Cedille)

I may not have loved everything here, but I did enjoy the journey of discovery [DJB]