Articles
Humour and Classical Music: Hindemith’s Flying Dutchman Overture
by David Barker
Divine Art at 30
An interview with label founder Stephen Sutton by Rob Barnett
Making It Better
Creating a wind repertoire in the UK by Dr Tim Reynish
An Interview with Conductor Kenneth Woods
Regarding his new recording of Mahler’s Fifth Symphony by Lee Denham
Composing Music in a Time of Crisis
An Interview with Jonathan Leshnoff by Lee Denham
Verdi: His Life and Operas (Part 4)
(From the Archive) A conspectus in four parts by Bob Farr
Verdi: His Life and Operas (Part 3)
(From the Archive) A conspectus in four parts by Bob Farr
Decca’s Golden Ring – The 2022 Remaster
An overview by Jack Lawson
Humour and Classical Music: Johann Strauss II’s Perpetuum Mobile
by David Barker
Verdi: His Life and Operas (Part 2)
(From the Archive) A conspectus in four parts by Bob Farr
Verdi: His Life and Operas (Part 1)
(From the Archive) A conspectus in four parts by Bob Farr
Humour and Classical Music: Dudley Moore
by David Barker
Mozart’s Die Entführung aus dem Serail
A survey by Ralph Moore
Humour and Classical Music: The Cat’s Duet
by David Barker
From the Archive: The Charles Hooey Collection
A major collection of articles on performers of the pre- & post-WW2 eras.
Puccini’s Turandot
An analysis and survey of audio and DVD recordings by Lee Denham
Tin Pan Alley Epanalepsis
by Alex Segal
Mozart’s Idomeneo
A survey by Ralph Moore
Irving Berlin’s White Christmas
A commentary by Alex Segal
Thomas Linley Jr: A Listening Guide
by Tony Scotland
Brahms’ Fourth Symphony
A brief overview of recordings by Trevor G Cooper
The Boy and the Magic – L’enfant et les sortilèges
A commentary by Len Mullenger, illustrated and with sound samples
A guide to the best recordings of Gluck’s operas
by Ralph Moore
Humour and Classical Music: Fantasia
by David Barker
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Featured Naxos review |
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