March 2026

A dark horse account of Mahler’s Tenth Symphony to rival any other [RMo]

Excellent performances, sung in English, so particularly interesting [SB]

(Déjà Review) Domingo adds this Loris to his studio recorded audio legacy [RJF]

(Déjà Review) Nebolsin is the real thing, a genuine virtuoso who can interpret Chopin with imagination and style [RC]

by Christopher Rowland

by Christopher Howell

(Déjà Review) Outstanding … full of rich, sonorous and decidedly beautiful choral music [MS]

(Déjà Review) Artistic insight, poignancy and exciting performance values [RB]

A highly competent reading which lacks ferocity and excitement at key moments [RMo]

A disc which does the music of Marie Jaëll a signal service [JQ]

An enormously rewarding piano sonata, slightly stymied by an unhelpful written component [PRJ]

Honeybourne unveils Redman’s long‑lost landscapes [JF]

The unmissable first recording of Kurtág’s masterpiece [DHa]

Although the programme lacks stylistic coherence, every piece is well worth hearing and is given what it needs [JV]

A good Fourth and an excellent Second [ST]

Stands both on its own terms and when compared to the best [DC]

A fine debut, three very different piano concertos for the left hand commissioned by Paul Wittgenstein [PRJ]

Melodic, warmly harmonised choral music, expertly performed [JQ]

(Déjà Review) A bouquet of fine arias by a great yet underestimated composer [JV]

(Déjà Review) A fascinating disc from a pianist whose career is most definitely worth following [CC]

Regardless of where you are on your Poulenc journey, it is a recording you should hear [DJB]

Relatively easy on the ear and deserving of a place in the repertoire [DC]

A notable addition to the discography of Das Lied von der Erde [JQ]

A very impressive début disc from this Van Cliburn winner [RCh]