Johann Ludwig Krebs (1713-1780)
Six Sonatas for Organ
Christian Schmitt (organ)
rec. 2013, St. Cyriakus Church, Duderstadt, Germany
cpo 777888-2 SACD [54]

This is not my first encounter with the German Baroque composer Johann Ludwig Krebs. Some years ago I managed to get my hands on an obscure eleven CD set of the composer’s complete organ works on the Quersand label performed by Felix Friedrich. Well worth seeking out if you find the composer’s music appealing.

Krebs was born in the German town of Buttlestedt in 1713 to Tobias Krebs an organist. Johann Ludwig was sent to Leipzig to study with JS Bach and apparently the master highly regarded his student. Next to Bach, Krebs was unrivalled on the organ in terms of proficiency. His counterpoint could stand shoulder to shoulder with that of the master. Although Krebs’ compositional output was significant, few of his works were published in his lifetime.

The Six Organ Sonatas we have here were only rediscovered in 2009.They were composed for pedalless organ, but can be performed effectively on a pipe organ as on this recording. Christian Schmitt performs them on the organ of St. Cyriakus church in Duderstadt, an instrument contemporary with Krebs’ training with Bach in Leipzig.

Krebs adopts the three-movement sonata da camerain his six sonatas. Typically, an Allegro is followed by an Andante, or slow movement, and concludes with a fast movement. Opening movements are frequently characterised by virtuosic runs and free elaboration. Slow movements are more personal, reflective and expressive, where the courtly dance makes an occasional appearance. The right hand adopts a leading role, whilst the left hand accompanies. Concision is a feature of the final movements.

Although Krebs organ music is not the most adventurous and ambitious, I think you’ll find it tuneful and engaging. I certainly did. The instrument featured is a Creutzburg organ, fabulous in every respect with a vast array of timbres and colours. The booklet provides the full registrations of the instrument.

Christian Schmitt’s performances are superb, very well recorded in a sympathetic and responsive acoustic with a warm ambience. Liner notes are in German with English translation.

Overall, this is an extremely fine disc, worthy of exploration. It will constitute a worthy addition to any organ lover’s collection

Stephen Greenbank

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