Dreams, Desires, Desolation
Trevor Alexander (baritone)
Peter Crockford (piano)
rec. 2021, Henry Wood Hall, London
Divine Art DDX21114 
The Artists’ Foreword in the booklet announces a potpourri of songs that are “very familiar”, with “some relatively unknown ones, and a few that were very popular in their day but have fallen out of fashion”. To construct this eclectic selection, they have chosen texts that reflect the emotions of “dreams, desires and desolation”. There are three world premiere recordings. The project was born out of the enforced isolation caused by Covid19, when Trevor Alexander and Peter Crockford learnt many songs “that we had always wanted to work on but had never had the time”.
Nottingham-born composer Clive Pollard contributed two of the premieres. Go song of mine is set to a text by the Italian poet Guido Cavalcanti, The Cloths of Heaven to the well-known poem by W. B. Yeats. Both show that Pollard has synthesised the character of English lieder from the early to mid-twentieth century.
I was excited to hear Autumn by the émigré German musician Peter Gellhorn, who fled from Nazi persecution to London in 1935. His setting of Walter de la Mare’s poemis atmospheric and bleak; I heard the influence of Britten. Sadly, this is one of only a handful of Gellhorn recordings. Surely other musicians could assume his cause.
Drawing-room ballads include Love’s garden of roses by Haydn Wood, and Amy Woodforde-Finden’s Kashmiri Love Song. Both were immensely popular in their day but now singers tend to ignore them. Perhaps they are deemed as too saccharine? I have not heard anything by Charles Marshall before. The notes explain that he was not prolific, with only about fifteen songs to his credit. One that became famous was I hear you calling me: it was one of Count John McCormack signature tunes. But all three here are outstanding examples of this forgotten and often denigrated song category.
There are two numbers by composers who are not English, by the Dutch-born conductor-composer Richard Hageman and the American Broadway composer Lucy Simon. Both are responsive to the character of the genre.
It was good to hear representative works by Frank Bridge, Frederick Keel and Cecil Armstrong Gibbs. The latter’s Silver to words by Walter de la Mare is regarded as definitive amongst nearly two dozen competitors. Cyril Scott is best recalled for his idiosyncratic piano music but he was also a prolific song writer. One of his best known is his “lyrical and haunting” Christina Rossetti setting Lullaby.
Big hitters include Butterworth’s Is my team ploughing, Ralph Vaughan Williams’s Silent Noon from his Rossetti cycle The House of Life and his The sky above the roof, John Ireland’s If there were dreams to sell, and Roger Quilter’s Now sleeps the crimson petal. Little need be said save that they are beautifully performed here.
The performers have assembled the liner notes. They give details about the composers and authors of the poems, but typically only a short paragraph about the actual songs themselves. It is a pity that texts were not included in the booklet; many, if not all, are safely out of copyright. There are short resumés of both artists.
The performances are well wrought. Both performers are clearly enamoured of their chosen repertoire. There is no condescension in the drawing-room ballads.
I understand that, as part of the original Covid19 project, several other songs were rehearsed, including some French chansons. It would be instructive to hear Trevor Alexander and Peter Crockford turn their attention to Fauré, Duparc and Debussy. Meanwhile, I look forward to hearing this team in further performances of English song. There is certainly much to explore, both well-known and neglected.
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George Butterworth (1885-1916)
Is my team ploughing?
Frank Bridge (1879-1941)
Come to me in my dreams
Charles Marshall (1857-1927)
I hear you calling me
Roger Quilter (1877-1953)
Now sleeps the crimson petal
Clive Pollard (b.1959)
Go song of mine
Richard Hageman (1881-1966)
Do not go my love
Ralph Vaughan Williams (1872-1958)
Frederick Keel (1871-1954)
Victor Hely-Hutchinson (1901-1947)
What shall I your true love tell?
Haydn Wood (1882-1959)
Love’s garden of roses
Peter Gellhorn (1912-2004)
John Ireland (1879-1962)
If there were dreams to sell (Dream-Pedlary)
Cecil Armstrong Gibbs (1889-1960)
The cloths of heaven
Ralph Vaughan Williams
The sky above the roof
Cyril Scott (1879-1970)
Amy Woodforde-Finden (1860-1919)
Kashmiri Love Song
I arise from dreams of thee
Lucy Simon (1940-2022)
How could I ever know? (from The Secret Garden)