Schubert

Bernius does not disappoint in one of Schubert’s most memorable, songful masterpieces [LW]

(Déjà Review) A fine young singer and a master accompanist [WH]

Splendidly captures the mood of these songs, with all their varied emotions [JF]

(Déjà Review) A fresh, personable and individual reading that shows these well-known songs in part in a new light [GF]

Aristocratic, authoritative and poetic performances [SG]

Very touching – anyone with an inclination for the intimate format should definitely lend an ear to this [GF]

Aesthetically wholly coherent and technically excellent accounts of the first complete and penultimate of Schubert’s sonatas that do not oust my favourites [RMo]

A fresh perspective of solo piano music during the Vienna Classic period [DF]

Enthusiastic but flawed performances by student orchestras [NB]

Ideal performances of great works – and a fitting memorial to Lars Vogt [RMo]

(Déjà Review) Very good performances of two contrasting works, in a recording excellent in every way [AB]

Raw, bleeding late Schubert [DMD]

An excellent recital by a distinguished soprano [RWe]

Urgent unfettered performances certain to divide the crowd [DMD]

A welcome restoration of the recordings of a largely overlooked German conductor [JW]

Solstice’s au revoir to a great artist [SG]

A revelatory album [JQ]

The Grøndahl legacy series reaches volume 7 with a question mark or two [JW]

The final Solstice salute to a great piano stylist [JW]

An very fine release of Boult’s early recordings of Bach and Viennese masters [GT]

Late Casals in imperfect recordings, attractively remastered and presented [JW]

A welcome to a neglected conductor from the early electrical recording period in Berlin [GT]

The final instalment of Bostridge’s Schubert trilogy is a partnership of equals, voice and piano coming together to create something very special [ST]

Well-crafted accounts which would sometimes benefit from a lighter touch [MG]