rmo
Ralph Moore
Through The Night (BIS)
A stimulating medley of the best string music, beautifully executed [RMo]
Ekaterina Siurina (soprano): Where Is My Beloved? (Delos)
A stream of imperturbably sedate tone, virtually devoid of characterisation [RMo]
Fauré: Pénélope (Erato)
A subtle, carefully crafted opera, beautifully sung even if in the end it lacks melodic memorability [RMo]
The Paris Opera 1900-1960 (Malibran Music)
Ten very well-filled discs documenting six glorious decades at the Paris Opera [RMo]
Juilliard String Quartet: Great Collaborations Vol. 5 (Sony Classical)
An anthology of classic, highly varied recordings spanning over a quarter of a century from major music-makers [RMo]
Shostakovich: Symphonies 5 & 9 (Naxos)
A first-rate pairing of two of Shostakovich’s more approachable symphonies in excellent sound [RMo]
Mendelssohn: Orchestral Works (Sony Classical)
A pleasant compilation but better recordings of almost every work here may be found elsewhere [RMo]
Bruckner: Symphony No 4 (BR Klassik)
Another superlative rendering of a Bruckner symphony from Haitink [RMo]
Verdi: Messa da Requiem (RCA)
A great soprano soloist and a fine choir and orchestra, very well directed, still cannot save this account from mediocrity [RMo]
Tchaikovsky: Serenade for Strings (Brilliant Classics)
A pleasing compilation of some of Tchaikovsky’s most beguiling string music featuring two premieres [RMo]
Mahler: Symphony No.2 (Philharmonia Records)
Not the most “dangerous” or consistently inspired interpretation but so much of it exhibits elegance, beauty and restraint [RMo]
Puccini: Manon Lescaut (Pristine Audio)
A palpable improvement over the remastering of the original mono recording and a fine performance in itself [RMo]
Neeme Järvi (conductor) Great Maestros (Estonian Record Productions)
An oddly imbalanced double bill, with an enjoyable Brahms Requiem and some unbearably rushed Bruckner [RMo]
Bruckner: Symphony No 7 (Warner Classics)
A grand, majestic performance catching all the requisite light and shade of Bruckner’s most popular and accessible symphony [RMo]
Halévy: La Juive (Philips)
This sole studio recording of a thoroughly entertaining opera makes a strong case for its rehabilitation [RMo]
Bruckner: Symphony No. 8 (Archipel)
A faintly disguised incarnation of Karajan’s classic first studio recording with the BPO, which has long been available on other labels in somewhat superior sound [RMo]
Bruckner: Symphony No.2 (Capriccio)
Beautifully balanced between thrilling tension and lyricism despite – or because of? – the pervasively propulsive speeds [RMo]
Haydn: Late Symphonies Vol. 1 (Naxos)
Thoroughly enjoyable “period-informed” performances of some favourite Haydn symphonies, light, witty and acerbic [RMo}
Gounod: Faust (Malibran-Music)
A beautifully sung Faust, expertly conducted and superior to the later studio recording in everything but sound [RMo]
Giordano: Fedora (Malibran-Music)
A powerful, idiomatic vintage recording of an unjustly neglected opera with some fascinating bonuses [RMo]
Bach: Suites for Solo Cello (Sono Luminus)
A fleet yet sonorous and profound account of these masterworks, played without repeats and delightfully absorbing [RMo]
Tchaikovsky: Symphony No.5 (Reference Recordings)
An enterprising pairing of two works given thrilling, gripping performances and sound [RMo]
Bruckner: Symphony No.8 (Alpha)
An oddly bland and inconsistent account which in no sense challenges established favourite recordings [RMo]
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