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Ralph Moore
Schubert & Hummel: Piano Quintets (Somm)
A ‘Trout’ to challenge classic versions, exhibiting a welcome sense of forward drive, paired with a Hummel novelty [RMo]
Mozart: Le nozze di Figaro (Pristine Audio)
A classic recording, with a great conductor and stellar singers, gets the Pristine treatment [RMo]
Mozart: Requiem & Say: Mozart & Mevlana (Warner Classics)
An intriguing piece of cross-cultural programming combining an energised performance of Mozart’s Requiem with an exotic new work [RMo]
Chausson: Le roi Arthus (Erato)
Heavily derivative of its Wagnerian models, Chausson’s sole opera intermittently impresses but is overlong and somehow remains unmemorable [RMo]
Mendelssohn Overtures (Deutsche Grammophon)
A generously filled recording which has deservedly become a classic [RMo]
Milhaud: Le Boeuf sur le toit, La Création du Monde (Chandos)
A highly desirable compilation of the some of the best music of its type and era, undemanding but wholly entertaining [RMo]
Charpentier: Choral music (Château de Versailles)
A carefully devised programme enabling us to understand how Italian polychoral works so heavily influenced Charpentier’s expansive, insistent idiom [RMo]
Mahler: Symphonies 7 & 9 (Chandos)
A re-issue of highly individual, grand and emphatic, even quirky, renderings of two great Mahler symphonies in excellent sound [RMo]
Berlioz: Le carnaval romain, Symphonie fantastique (Pentatone)
Finally, a Symphonie fantastique to rival the vintage versions in superb, vivid, beautifully balanced digital sound [RMo]
Brahms: Double Concerto & Mozart: Sinfonia Concertante (Nimbus)
A delightful disc, offering an intriguing twist on the Mozart and a grand, virtuosic account of the Brahms, in superb sound [RMo]
Strauss: Der Rosenkavalier (Pristine Audio)
Once again, Pristine breathes new life into an imperishable classic of the gramophone [RMo]
Vidimus Gloriam Eius (Hymnus)
A joyous traditional Christmas service, beautifully sung [RMo]
Gluck: Orfeo ed Euridice (Harmonia Mundi)
The beauty of Fink’s singing and the sonorities of the period band are the main attractions here; other elements are more ordinary [RMo]
Ravel & Fauré: String Quartets (Brilliant Classics)
An interesting pairing, somewhat let down by edgy sound engineering and excessive lingering in the Ravel [RMo]
Rameau: Castor et Pollux (Alpha Classics)
An accomplished and stylistically faithful account of Rameau’s third opera [RMo]
Mahler: Symphony 2 (Hallé)
A fine, grand performance, beautifully engineered but slightly let down by the vocal soloists [RMo]
Saint-Saëns: L’Ancêtre (Bru Zane)
A fine, dramatic late opera by Saint-Saëns, melodically elusive but highly atmospheric and beautifully performed [RMo]
Haydn: The Seven Last Words of Christ (Brilliant Classics)
Interpretatively cohesive and consistent but rather driven and unvaried [RMo]
Strauss: Ein Heldenleben (Signum Classics)
A grand, more leisurely and reflective Ein Heldenleben which is wholly successful on its own terms [RMo]
Adèle Charvet (mezzo-soprano) Belle époque! (Alpha Classics)
An elegant, sophisticated mélange of mélodies, beautifully sung and played, incorporating some pleasing surprises and novelties [RMo]
Bruckner: Symphonies 4 & 7 (Pristine Audio)
Somewhat puzzling, even erratic, performances, alternately captivating and disappointing, recorded in Walter’s Indian Summer [RMo]
Bizet/Gounod/Saint-Saëns: Premières symphonies (Alpha Classics)
A charming trio of French first symphonies – not major music, but beautifully played and exuding good humour [RMo]
Ravel: Orchestral Works & Song Cycles (L’Auditori)
A mixed bag of excellent orchestral works and less satisfying song cycles [RMo]









































