mp
Mike Parr
Tchaikovsky: None But The Lonely Heart (Naxos)
The singing is especially good from some impressive young singers but the staging… [MP]
Donizetti: Maria de Rudenz (Warner Fonit)
Coarse at times, but often exciting, as one would expect a bleeding nun to be [MP]
Mozart: Così fan tutte (Deutsche Grammophon)
Despite cuts and a less than perfect ensemble, the sense of being a part of an exciting occasion is boldly realized here [MP]
Le Berger Innocent – recital (Ricercar)
This fills a gap in the musical repertoire of the French Rococo [MP]
Mademoiselle Duval: Les Génies (Château de Versailles Spectacles)
A Baroque opera rarity is one of CVS’s happiest releases of recent years [MP]
R Strauss: Intermezzo (Warner Classics)
The only studio recording of Strauss’s biographical opera is a complete winner on all front [MP]
Janáček: Káťa Kabanová (LSO Live)
A good cast and excellent sound are featured on Rattle’s challenge to the Mackerras hegemony [MP]
Massenet: Le Cid (Sony Classical)
This version of Massenet’s opera is somewhat marred by the coarse recording, but there are a few thrills to be encountered nonetheless [MP]
Wagner: Tristan und Isolde (Warner Classics)
Beautiful sonorities throughout but the conductor’s approach is an emotional letdown and hampers the stellar cast [MP]
Stravinsky: The Nightingale (Sony Classical)
Stravinsky’s own recording is a flawed yet pleasurable account of this little opera [MP]
J Strauss II: Der Zigeunerbaron (EMI Classics)
Johann Strauss’ Hungarian operetta truly sparkles in a performance that commands the field in spite of its age [MP]
Wagner: Die Feen (Orfeo)
A very fine cast and excellent sound makes this a decent version of Wagner’s difficult first opera [MP]
Weber: Oberon (RCA)
Weber’s magical score is lovingly presented on this fine set [MP]
Bertin: Fausto (Bru Zane)
A long-lost operatic curiosity. Well-performed but recorded harshly, with no sense of stage atmosphere [MP]
Rameau: Platée (Bel Air Classiques)
Laurent Pelly’s production has matured with age and Brownlee gives the performance of his career in the title role [MP]
Puccini: Il trittico (Decca)
Not a first choice recording but worth spending some time with for a few excellent individual contributions [MP]
Leoni: L’Oracolo (Decca)
Worth getting to know even in a less than successful recording [MP]
Rossini: Il barbiere di Siviglia (C Major)
Vocal riches in a depressingly hyperactive production that is devoid of amusement [MP]
Weber: Der Freischütz (Deutsche Grammophon)
One might go hunting for a more complete version of this opera, but this one does the trick in most respects [MP]
Humperdinck: Hänsel und Gretel (RCA)
Christa Ludwig’s amazing Witch is the crowning achievement of this still essential recording [MP]
Puccini: La bohème (Warner Classics)
This old recording still has plenty of rewards to offer [MP]
Verdi: Nabucco (Deutsche Grammophon)
Sinopoli and a powerhouse cast reveal unsuspected depths in Verdi’s early opera [MP]
Wagner: Das Liebesverbot (Orfeo)
A colourful Wagnerian romp with two outstanding interpreters among the large cast [MP]
Mozart: Zaide (Orfeo)
A very good cast in a version with more linking dialogue than on other recordings [MP]