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Attractive performances whose strength is in the happy times and finding consolation in still facing the unhappy [MG]

Horenstein’s Haydn and Mozart pack quite a punch [MG]

A satisfying recital with a wide-ranging selection and an experienced interpreter [MG]

Sparkling performances of early Mozart works you’ve never heard like this before [MG]

Symphonies 34 and 35 get entertainingly fresh, well balanced, focussed and detailed accounts but Symphony 36 is less secure [MG]

A masterclass of historically informed performance on the piano with zip, colour and eloquence [MG]

Sometimes monumental, sometimes impish, invariably engaging [MG]

A vivid rollercoaster approach, the listener smarting on the front row stalls [MG]

The outer movements of Symphony 41 are splendid; elsewhere Klumpp’s Mozart can be a shade relentless [MG]

Well-crafted accounts which would sometimes benefit from a lighter touch [MG]