Hyperion

(Déjà Review) A landmark disc of an epic, landmark concerto, one of the finest in the Hyperion series [CF]

(Déjà Review) A good representation of the strength and variety of the central, most important, part of Stanford’s career [CH]

(Déjà Review) This release, appropriately dedicated to the late Ted Perry, is up to Hyperion’s best [HC]

Attractive performances whose strength is in the happy times and finding consolation in still facing the unhappy [MG]

Magical performances, illuminated and musically informed, recorded in superior sound [SG]

A fine choir in rare late Renaissance Portuguese repertoire, sung with style and skill [GH]

A superb album [JQ]

(Déjà Review) Exultant, yearning, gloomy, sincere, passionate, nostalgic Slavonic music [RB]

A convincing collection, well-sung, played and recorded [CG]

(Déjà Review) Angela Hewitt again shows her mastery of Bach’s keyboard music [KM]

(Déjà Review) Two marvellous, scandalously neglected romantic piano concertos [JQ]

(Déjà Review) A superb overview of Bach’s chamber music for flute [KM]

This disc closes the James O’Donnell era at Westminster Abbey in considerable style [JQ]

A beautifully performed portrait of Bach’s second wife through the music which he chose for her [MSt]

(Déjà Review) Seven Last Words makes a profound impression; a masterpiece [JQ]

(Déjà Review) Bach performances to cherish [CH]

A refined, intimate, impeccably sung and recorded collection of Byrd at his most reserved and doleful [RMo]

Imaginative choral music by Ivo Antognini in brilliant performances [JQ]

A thrilling account [LW]

(Déjà Review) Truly mind-blowing – I can’t imagine it being replaced any time soon [DC]

(Déjà Review) A wonderfully presented release that is clearly one of my records of the year [MC]

A fine new recording of Messiaen’s celebration of the natural world [SB]

A genuine triumph – a completely convincing performance of a typically Victorian Choral Festival work [NB]

A delightful collection of modern concertos for the harpsichord [SB]