Capriccio

Vital, imaginative works from a near-forgotten German composer [JW]

(Déjà Review) Often imaginative and sensitive music accorded a high standard of performance [TB]

(Déjà Review) Full credit to all involved who deserve rich applause for their dedication [GH]

Saint-Saëns enthusiasts should not hesitate to add this attractive disc to their collections [DBi]

Poschner’s Bruckner cycle concludes with a typically inconsistent admixture of the very fine and the occasionally disappointing [RMo]

Gülbadamova has a feel for Dohnányi’s style in this rewarding recital [RCh]

Beethoven’s genius emerges triumphantly – which is exactly as Mahler intended [NB]

Three strikes and for me Herr Poschner is out … [RMo]

A great recording that can also function as a strong introduction to the works of Viktor Ullmann [VM]

This brisk, nervy account pales in comparison with Schaller’s steadier, grander recording [RMo]

An important set from a composer who had much to say, and said it without any compromise [HC]

A patchy account, hobbled by a particularly egregious bit of tinkering with the codas of the first movement and the finale [RMo]

Sure to make new friends for Schmidt’s music [WK]

Poschner once more subjects Bruckner’s Third Symphony to unreasonable and unaesthetic haste [RMo]

A crisp, rhythmically alert account, making a wholly persuasive case for the original version of Bruckner’s Second Symphony [RMo]

Three conservative concertante works for the left hand in exemplary performances [NB]

If you like this programme, you will like these performances [EJW]

Nikolai’s quartet and Alexander’s piano quintet are the stand-out works here [SB]

An impressive account of this once notorious work [SB]

A tight, driven account of Bruckner’s First Symphony which is a success even if I still prefer Schaller’s version [RMo]

A beautifully played recording of the Fifth Symphony for those who like their Bruckner a little leaner and faster with variations of tempi strongly contrasted [RMo]

A movingly immersive experience [MP]

A release well worth revisiting a decade later [SG]

(Déjà Review) A superbly executed realisation of Prokofiev’s Onegin incidental music [JL]