Berlin Classics
Mahler: Symphony No 10 (Berlin Classics)
Another fine account of Mahler‘s Tenth which will appeal to those who want a more direct, driven and cohesive concept [RMo]
Bach: New Brandenburg Concertos (Berlin Classics)
These New Brandenburg Concertos, based on organ trio sonatas, make a delightful programme [SB]
Martin, Ullmann & Fauré: Chamber works (Berlin Classics)
An atypical programme of chamber works, well performed and recorded [LW]
JS Bach: Die Kunst der Fuge (Berlin Classics)
Very good, but is there more goodness to be extracted from Bach’s BWV1080? [DC]
Arvo Pärt: …Lente (Berlin Classics)
An intriguing reimagining of Arvo Pärt’s music with some fantastic singing [DHa]
Arvo Pärt: …Lente (Berlin Classics)
Meltingly affecting, make sure you have a fresh spiritual mop and bucket to hand for this recording [DC]
Poulenc: Gloria & Schubert: Mass No 5 (Berlin Classics)
The youth choir Dresdner Kreuzchor struggles to produce a sound strong enough for these works [GPJ]
Schubert: Voyage (Berlin Classics)
Two brilliant performers, one very strange disc – Schubert transformed or transmogrified? [GPJ]
Schubert: Trout Quintet (Berlin Classics)
(Déjà Review) Very satisfying, centred and gracious [RB]
Mozart: Serenades (Berlin Classics)
Rapturous: two Mozart Serenatas composed (and recorded) in Salzburg [DF]
Who’s Afraid Of …? Boulanger Trio (Berlin Classics)
Superb playing, but the awkward mix of styles doesn’t work [DJB]
Schumann: Lied Edition (Berlin Classics)
Classic performances from Schreier and Shetler [RMas]
Mahler: Symphony No 6 (Berlin Classics)
(Déjà Review) One of the very best recordings of Mahler’s Sixth Symphony available [TD]
Hasse: Mass (Berlin Classics)
(Déjà Review) Hasse’s final work, while sounding more like an opera than a mass, is beautiful indeed [KM]
Schubert: Insomnia (Berlin Classics)
This delightful collection of songs takes the listener on a gentle trip both down memory lane and on an expedition into some obscure backyards [GF]
Schumann: Lieder (Berlin Classics)
These fifty-year-old recordings are classics and admirers of Schumann and Peter Schreier should own them, but the documentation is scanty [GF]





































