Schillings: String Quartet, String Quintet (cpo)
(Déjà Review) If only all recordings of unknown chamber music could be so well done [LF]
Rodwell: Jack Sheppard (Retrospect Opera)
A problematic genre gives a reviewer problems [JW]
Christmas from the Chapel Royal (Resonus)
A fine all-male choir in an unusual, well-balanced programme to suit a wide variety of tastes [GH]
Albéniz: Suites Iberia, Española & España (CAvi-Music)
Splendid piano music played most capably on the guitar [ZT]
A Child’s Christmas: Orchestral Music for Christmas (Heritage)
Enjoyable, approachable, interesting pieces [JF]
Cherubini: Medea (RCA)
(Déjà Review) A mouth-watering cast gives a memorable performance [CF]
Beethoven: Violin Sonatas (Naxos)
(Déjà Review) The greatest Beethoven violin sonatas performed by arguably the greatest duo partnership of the last century [SHJ]
1929: The Wild Sounds of the 20s (BR Klassik)
The luscious hot dance music of Eduard Künneke meets Eisler’s boring agit-prop [JW]
Advent Live Vol. 3 (Signum Classics)
A varied and very enjoyable programme of music for Advent [JQ]
Hartmann: Piano Works Vol. 5 (Danacord)
Danish romantic piano music, full of interest, gives much pleasure [JF]
Alwyn: Film Music Vol. 2 (Chandos)
An excellent well-contrasted compilation of important British film music that needed to be rescued from oblivion [IL]
Ekaterina Siurina (soprano) Where Is My Beloved? (Delos)
I have enjoyed hearing this praiseworthy collection of ten celebrated opera arias [MC]
Verdi: I Lombardi alla Prima Crociata (BR Klassik)
The choral singing is first class, but the soloists are disappointing; the two old Gardelli recordings are better [GF]
Frederick Stock (conductor) Chicago Symphony, Vol 3 (Pristine Audio)
Further evidence that Stock was an exceptionally able conductor [JW]
Wolf-Ferrari: I quatro rusteghi (Rubicon)
An odd and at times rather sharp-edged and disconcerting satirical comedy [RMo]
Turnage: Music to Hear (Black Box)
(Déjà Review) Turnage’s chamber music has a restrained confessional tone far from Turnage’s “public” statements. His chamber music communicates directly through simplicity, subtlety and sincerity. Highly accessible and communicative music [HC]
Fayrfax: The Masses (ASV Gaudeamus)
(Déjà Review) Magnificent discs containing sumptuous examples of early Tudor polyphony presented in first class performances [JQ]
Scheller: Dead Grain (Acte Préalable)
Cold, creepy, crepuscular and clever – Scheller’s eerie sounds slither delightfully under the skin [RHa]
Martinů: Complete Piano Trios (Naxos)
The Arbors showcase these compelling works with vitality and élan [SG]
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