Opera
Reviews of full operas as well as collections and recitals of arias
Franck: Les Béatitudes (Fuga Libera)
A fine performance of this ambitious but uneven work, but note the skimpy documentation [SB]
New Year’s Concert – Teatro La Fenice 2023 (C Major)
A pleasing concert that will almost certainly cheer you up [MMB]
J Strauss II: Der Zigeunerbaron (EMI Classics)
Johann Strauss’ Hungarian operetta truly sparkles in a performance that commands the field in spite of its age [MP]
Wagner: Das Rheingold (Opus Arte)
A superb fusion of singing, music and stagecraft [AOz]
Borgstrøm: Fiskeren (The Fisherman) (Simax Classics)
An interesting rarity, well worth investigating. [GF]
Stanford: Shamus O’Brien (Retrospect Opera)
The premiere recording of Stanford’s fourth opera in an excellent performance [JQ]
Verdi: Nabucco (Deutsche Grammophon)
(Déjà Review) Worth the price for Guleghina’s Abigaille [RJF]
Donizetti: L’esule di Roma (Opera Rara)
An opera overlooked for far too long is presented in the best possible light [MC]
Wagner: Die Feen (Orfeo)
A very fine cast and excellent sound makes this a decent version of Wagner’s difficult first opera [MP]
Rossini: Elisabetta, Regina d’Inghilterra (Naxos)
Rossini’s rarely performed Elizabethan opera is given a lacklustre performance in the latest in Naxos’s Rossini Wildbad series [PT]
Weber: Oberon (RCA)
Weber’s magical score is lovingly presented on this fine set [MP]
Bertin: Fausto (Bru Zane)
A long-lost operatic curiosity. Well-performed but recorded harshly, with no sense of stage atmosphere [MP]
Busoni: Doktor Faust (Dynamic)
Good singing and lighting do not outweigh poor orchestral playing and perverse staging [SB]
Janáček: Káťa Kabanová (LSO Live)
We seem to observe the tragic events as they might really have happened – no hyperbole, just committed singing [MS]
Rameau: Platée (Bel Air Classiques)
Laurent Pelly’s production has matured with age and Brownlee gives the performance of his career in the title role [MP]
Donizetti: Lucia di Lammermoor (Pristine Audio)
Pristine refreshes Callas’s 1959 stereo recording and prompts a re-evaluation of its considerable merits [PT]
Puccini: Il trittico (Decca)
Not a first choice recording but worth spending some time with for a few excellent individual contributions [MP]
Leoni: L’Oracolo (Decca)
Worth getting to know even in a less than successful recording [MP]
Rossini: Il barbiere di Siviglia (C Major)
Vocal riches in a depressingly hyperactive production that is devoid of amusement [MP]
Handel: Theodora (Alpha Classics)
A splendidly cohesive musically-rewarding example of integrated casting and performance [JW]
Weber: Der Freischütz (Deutsche Grammophon)
One might go hunting for a more complete version of this opera, but this one does the trick in most respects [MP]
Wagner: Die Walküre (Decca)
The last instalment of the Decca ‘Ring’ enhanced by remastering in magnificent sound [JQ]
Humperdinck: Hänsel und Gretel (RCA)
Christa Ludwig’s amazing Witch is the crowning achievement of this still essential recording [MP]