Opera
Reviews of full operas as well as collections and recitals of arias
Gluck: Opera Highlights (Alto)
Ferrier brings real passion, classical purity and strength of line [RH]
Adam, Hahn & Offenbach: Operas (Naxos)
A collection of Parisian delicacies served in fine style [MP]
Mozart: Idomeneo (BR Klassik)
This new Idomeneo is almost the one we have all been waiting for [MP]
Donizetti: L’Elisir d’amore (VAI)
(Déjà Review) Strictly for opera addicts interested in how it used to be done [RJF]
Britten: Billy Budd (Virgin Classics)
(Déjà Review) Has changed the whole way I listen to Billy Budd (AO]
Offenbach: Orphée aux Enfers (Warner Classics)
(Déjà Review) Singers who know how to sing Offenbach and to act it [JPJ]
Strauss: Salome (Opus Arte)
(Déjà Review) I’ll be coming back to this again and again [ST]
Strauss: Elektra (Capriccio)
(Déjà Review) Varnay and Fischer are superb, alas in compromised sound [DH]
Bembo: L’Ercole Amante (cpo)
A fine, newly discovered Baroque opera receives a confident debut recording [MP]
Mozart: Die Zauberflöte (Pristine Audio)
With Pristine’s remastering, this becomes a worthy alternative to more modern recordings [GF]
Weldon: The Judgment of Paris (AAM)
A vivacious and engaging competition-winning masque performed with real style [JW]
Wagner: Der fliegende Holländer (Naxos)
Vocally flawed and dramatically inert; you can do much better with either a vintage recording or the recent Decca issue [RMo]
Ravel: L’Enfant et les sortilèges & L’heure Espagnole (Deutsche Grammophon)
A sparkling pair of Ravel’s contrasting operas, justifying their status as “gramophone classics” [RMo]
Mozart: Idomeneo (BR Klassik)
A new Idomeneo and another excellent release from Rattle and the Bavarians [PH]
d’Orléans: Suite d’Armide ou Jérusalem délivrée (Château de Versailles)
A Baroque masterpiece that has been skillfully prepared but is compromised by irritating microphone placement [MP]
Donizetti: Zoraida di Granata (Dynamic)
A classy production of an unfamiliar opera with a more than respectable cast of singers [MP]
Eccles: The Judgment of Paris (Chandos)
(Déjà Review) A forgotten gem which deserves to be rediscovered [RH]
Boito: Nerone (Naxos)
An intriguing rarity, mostly adequately sung but musically very patchy and dramatically incoherent [RMo]
Suppé: Die Schöne Galathée (Capriccio)
(Déjà Review) Pleasantly lyrical and pure-toned [RW]
Maria Callas (soprano): Arias Volume 1 (Pristine Audio)
Once again, Pristine breathes new life into two established and indispensable recital classics [RMo]
Verdi: I Vespri Siciliani (Dynamic)
(Déjà Review) A generally well sung performance in the composer’s home town should be watched by opera producers as well as Verdi lovers [RJF]





































