Opera
Reviews of full operas as well as collections and recitals of arias
Opera Arias in Turin in 18th Century (cpo)
Charming but stylistically uniform arias from Turin in the later 18th century [CRo]
Schmidt: Fredigundis (Orfeo)
The only recording of Schmidt’s second opera does full justice to an unjustly neglected work [EJW]
Mascagni: Cavalleria rusticana & Leoncavallo: I Pagliacci (Pristine Audio)
A pleasure to hear Björling in these excellent Pristine transfers, even if these two roles are not amongst his greatest [PT]
Mercadante: Orazi e Curiazi (Opera Rara)
The best of a composer forever doomed to dwell in Verdi’s shadow, performed by a first-rate cast and starring the great Nelly Miricioiu [RMo]
Donizetti: La favorite (Naxos)
Javier Camarena as Fernand is worth a listen, but the singing on the whole is too compromised for a general recommendation [GF]
Strauss: Die schweigsame Frau (BR Klassik)
A lovely supplement to the complete live recording in much better sound [RMo]
Rossini: La Cenerentola (Warner Classics)
A welcome return to the catalogue of an excellent performance [RJF]
Gluck: Orfeo ed Euridice (Erato)
Thrilling Orfeo ed Euridice starring Jakub Józef Orliński [DF]
Shostakovich: Lady Macbeth of Mtsensk (Warner Classics)
(Déjà Review) A stunning recording – overcome your prejudice and buy it [RMK]
Mozart: Don Giovanni (Deutsche Grammophon)
(Déjà Review) This well sung performance in traditional sets and costumes will provide much enjoyment [RJF]
Britten: The Turn of the Screw (Opus Arte)
(Déjà Review) James’ story in Britten’s setting emerges magnificently [CC]
Leontyne Price (soprano) Personal Choice (Alto)
One of the most glorious female voices of the 20th century, in a selection from famous recordings [EJW]
Donizetti: Maria de Rudenz (Warner Fonit)
Coarse at times, but often exciting, as one would expect a bleeding nun to be [MP]
Jacqueline Delman (soprano) More from my archives (Oak Grove)
A valuable documentation of Delman’s versatility, musically, repertoire-wise and linguistically [GF]
Bertin: Fausto (Bru Zane)
The first-ever Faust opera based on Goethe – and from a feminine perspective [PCG]
Wagner: Götterdämmerung (Pristine Audio)
The culmination of a great Ring cycle has a place among the best: scintillating singing, playing and conducting [RMo]
Ponchielli: La Gioconda (Pristine Audio)
A good but not quite superlative recording in enhanced sound [MBu]
Mozart: Così fan tutte (Deutsche Grammophon)
Despite cuts and a less than perfect ensemble, the sense of being a part of an exciting occasion is boldly realized here [MP]
Wagner: Die Walküre (Naxos)
A Wagner production from hell to be avoided at all possible costs [PCG]
Mascagni: Cavalleria rusticana & Leoncavallo: I Pagliacci (Pristine Audio)
Remarkable sonic restoration, almost recreation, and a must for Verismo opera lovers [EJW]
Wagner: Parsifal (Sony Classical)
A decent account of the score let down by vocalism which ranges from mediocre to poor [MBu]
Wagner: Siegfried (Pristine Audio)
Another majestic instalment of living theatre – the best so far – in Kna’s 1956 Bayreuth Ring, in superb sound but again afflicted by persistent coughing [RMo]
Mademoiselle Duval: Les Génies (Château de Versailles Spectacles)
A Baroque opera rarity is one of CVS’s happiest releases of recent years [MP]






































