Articles
Editing Bruckner’s Seventh Symphony
An interview with Dr Benjamin-Gunnar Cohrs by Lee Denham
Stanfordian Thoughts: 18. Father O’Flynn
by Christopher Howell
Listening Studio Report
by John Quinn
An interview with Philip L Scowcroft
by Robert Barnett
Leoncavallo’s Zazà
A survey by Ralph Moore
An interview with BIS founder Robert van Bahr
by Robert Barnett
Humour and Classical Music: Salut Salon
by David Barker
Humour and Classical Music: Animated Shorts
by David Barker
Brahms’ Violin Concerto: A Discography
Prepared by Uwe Sauerteig
Bellini’s I puritani
A survey by Ralph Moore
The Twentieth Anniversary of the ARC Ensemble
by Rob Barnett
Three Harder-to-find Rossini Operas
by Ralph Moore
Beethoven’s Violin Concerto: A Discography
Prepared by Uwe Sauerteig
Humour and Classical Music: Hindemith’s Flying Dutchman Overture
by David Barker
Making It Better
Creating a wind repertoire in the UK by Dr Tim Reynish
Divine Art at 30
An interview with label founder Stephen Sutton by Rob Barnett
An Interview with Conductor Kenneth Woods
Regarding his new recording of Mahler’s Fifth Symphony by Lee Denham
Verdi: His Life and Operas (Part 4)
(From the Archive) A conspectus in four parts by Bob Farr
Composing Music in a Time of Crisis
An Interview with Jonathan Leshnoff by Lee Denham
Humour and Classical Music: Johann Strauss II’s Perpetuum Mobile
by David Barker
Decca’s Golden Ring – The 2022 Remaster
An overview by Jack Lawson
Verdi: His Life and Operas (Part 3)
(From the Archive) A conspectus in four parts by Bob Farr
Verdi: His Life and Operas (Part 2)
(From the Archive) A conspectus in four parts by Bob Farr
Verdi: His Life and Operas (Part 1)
(From the Archive) A conspectus in four parts by Bob Farr
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Featured Naxos review |
Featured Naxos review |
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