March 2024

strauss four last songs alpha

Strauss: Four Last Songs (Alpha Classics)

A thoughtful project and, as such, a significant addition to the discography of the Vier letzte Lieder [JQ]

jones concertos bmop

S Jones: Three Concertos (BMOP Sound)

A warm welcome to a trio of Samuel Jones’ finely wrought concertos [RHa]

puccini trittico decca

Puccini: Il trittico (Decca)

Not a first choice recording but worth spending some time with for a few excellent individual contributions [MP]

stanford irish songs somm

Stanford: Irish Song Cycles (SOMM Recordings)

Winsome, windy and windswept with the occasional folkloric moment, but Stanford on auto-pilot [JW]

in two minds metier

Duo Menurida: In Two Minds (Métier)

Sensuous, inventive and often fantastic improvisations [JF]

donizetti lucia lammermoor pristine audio

Donizetti: Lucia di Lammermoor (Pristine Audio)

Pristine refreshes Callas’s 1959 stereo recording and prompts a re-evaluation of its considerable merits [PT]

mahler symphony warner

Mahler: Symphony 8 (Warner Classics)

(Déjà Review) Lean and direct, intent on clarity and sense of direction, but an apparent lack of some grandeur and sense of occasion [TD]

magnard faure quartets aeon

Magnard & Fauré: String Quartets (Aeon)

(Déjà Review) Substantial works in immaculate performances [HC]

Leoni: L’Oracolo (Decca)

Worth getting to know even in a less than successful recording [MP]

Handel: Handel for Trumpet (Linn)

A superbly programmed set of pieces by Handel, reimagined for trumpet and piano [PB]

Lloyd: Symphonies (Lyrita)

George Lloyd conducts his first six symphonies in Lyrita’s reissues [JW]

Labor: Piano Concertos for the left hand (Capriccio)

Three conservative concertante works for the left hand in exemplary performances [NB]

Schubert: Lieder. Love’s Lasting Power (Delphian)

Two recent competition winners in an impressive debut recital, more than promising [PT]

Beethoven: Complete String Quartets Volume 1 (Chandos)

Consistently magnificent performances, but comparison has a sting in the tail [MG]

Dvořák: Symphony No. 9, Carnival Overture; Smetana: The Bartered Bride Overture (RCA)

(Déjà Review) Ebullient and powerful and the finale sweeping but not overdone, and with tremendous inner rhythm [JW]

Lauridsen: Choral music (Hyperion)

(Déjà Review) This disc is a must – I hope you enjoy it as much as I have [JPh]

Messiaen: Turangalîla-Symphonie (Harmonia Mundi)

A top-notch Turangalîla from Toronto; stellar sonics, too [DM]

Liszt-Beethoven: Complete Symphonies Vol 3 (Dynamic)

Vigorous and purposeful performances with an eye for detail [RCh]

Handel: Theodora (Alpha Classics)

A splendidly cohesive musically-rewarding example of integrated casting and performance [JW]

Rossini: Il barbiere di Siviglia (C Major)

Vocal riches in a depressingly hyperactive production that is devoid of amusement [MP]

Ruby Hughes (soprano): End of My Days (BIS)

An outstanding recital; elegantly conceived, ideally recorded and beautifully performed [RHa]

Tůma: Motets, Dixit Dominus & Sinfonia (Aparté)

Andreas Scholl’s fine performances should help in promoting Tůma’s music [JV]

Chopin: Reminiscences (Linn)

(Déjà Review) It depends on whether you’re a fan of Pizarro, or his personal selection [TH]

Quatuor Kandinsky: French Piano Quartets (Erato)

(Déjà Review) A sultry recording of surgingly romantic music given the hot-blooded approach [RB]