Weill
Awakenings (Avi-Music)
The most exciting vocal recital disc I’ve heard in a long while [JQ]
The Kurt Weill Album (Deutsche Grammophon)
An impressive recording debut from Joana Mallwitz [PH]
Weill: Symphonies Nos 1 & 2 (Naxos)
(Déjà Review) Add this one to your collection soon [KS]
My Soul, What Fear You? (King’s College, Cambridge)
A fascinating Lieder recital [JQ]
Noel Coward and Friends: A Most Marvellous Party (Signum Classics)
What an absolutely splendid party! Darling, I couldn’t have liked it more [PT]
Na’ama Goldman (mezzo-soprano): Legata (Solo Musica)
A fascinating new voice in a programme tied to her cultural heritage but with universal appeal [GF]
Trails of Creativity. Music from Between the Wars (Avie Records)
(Déjà Review) There’s something for everybody in this excellently played between-the-wars anthology of music [JL]
Weill: Propheten, Four Walt Whitman Songs (Capriccio)
This legendary work turns out to be more a curiosity than a masterpiece [SB]
Weill: Propheten (Capriccio)
An interesting world premiere and a masterly reading of the Whitman songs [GF]
Entartete Musik (Antarctica Records)
Powerful, moving music beautifully performed and recorded let down by abject documentation [NB]
Otto Klemperer (conductor): The Remastered Edition (Warner Classics)
Klemperer consolidated; his full Warner legacy in best-yet transfers [JW]
Aylish Kerrigan sings Kurt Weill (Métier)
The singer really understands this repertoire [JF]
Atlantic Crossings (Gramola)
An offbeat concept produces a very rewarding album [MP]
The Wild Sound of the 20s – 1923 (BR Klassik)
A good example of 1920s music in outstanding performances, let down by lack of texts [LW]
Weill: Die sieben Todsünden (First Hand Records)
Two rarities; the performance of the main work is quite disappointing [SB]
Der wilde Sound der 20er – 1923 (BR Klassik)
Four works reflect the time between modernity and tradition, revolution and republic, jazz and dance music [JF]
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