Strauss R
Marion Ravot (harp) Voyages (Solaire)
Bewitching total immersion in sublime harp sounds [DC]
The Berliner Philharmoniker and Seiji Ozawa (Berliner Philharmoniker Recordings)
A great orchestra pays its tribute to a much loved conductor [PH]
R Strauss: Tag und nacht (Supraphon)
A disc of Strauss songs that’s fine, but unremarkable in light of the competition [ST]
R Strauss: Tone Poems (Gramola)
A re-release of three great recordings on a different label, whose raison d’être eludes me… [RMo]
Frederick Stock (conductor) Chicago Symphony Vol. 4 (Pristine Audio)
An absorbing study of an unjustly neglected body of recordings continues [JW]
Willem Mengelberg (conductor) The Concertgebouw Telefunken Recordings Vol. 4 (Pristine Audio)
Further excellent performances and transfers in this ongoing series [PSt]
Schoenberg: Verklärte Nacht, Strauss: Eine Alpensinfonie (C Major)
A ravishing Verklärte Nacht, but a lacklustre Alpensinfonie [ST]
Berl Senofsky (violin): American Virtuoso (Rhine Classics)
Strong, masculine playing from Berl Senofsky – along with some less than stellar performances [JW]
Willem Mengelberg (conductor) Mahler & Strauss (The Willem Mengelberg Society)
Performances of great historical and musical interest in superb transfers [PSt]
Mozart & R Strauss: Lieder (Erato)
A worthwhile disc, even if I am equivocal about some of the singing [PT]
Günther Groissböck (bass) I live alone in my heaven (Gramola)
A profile of the singer Günther Groissböck – no revelations, but there’s always the voice [ST]
Berl Senofsky (violin) American Virtuoso (Rhine Classics)
Although something of a mixed bag, there’s much to please the Senofsky admirer enshrined in these two discs [SG]
R Strauss: Sinfonia Domestica (Arte Nova Classics)
(Déjà Review) Refreshing, highlighting the invention and vivacity [RBr]
Furtwängler conducts R Strauss (Pristine Audio)
Pristine opens up a new depth of sound for these wartime classics [RMo]
Brindley Sherratt (bass): Fear No More (Delphian)
A splendid operatic bass in a new and satisfying context [WH]
Strauss: Capriccio (Orfeo)
A good but hardly distinguished production, in terms of both performance and sound [RMo]
Debussy & Strauss (Melbourne Symphony Orchestra)
An auspicious launch for the Melbourne Symphony’s own label [JQ]
Thomas Quasthoff (bass- baritone) Evening Star (Deutsche Grammophon)
A cunningly devised programme ideally showcasing Quasthoff’s vocal versatility and dramatic gifts [RMo]
475 Jahre Sächsische Staatskapelle Dresden (Profil)
Many first-class performances to celebrate the 475th anniversary of the Staatskapelle Dresden [MC]
Strauss: Piano Quartet & Metamorphosen (B Records)
Good performances but there are preferable versions of the main work [SB]
Strauss: Die schweigsame Frau (BR Klassik)
A lovely supplement to the complete live recording in much better sound [RMo]
Jacqueline Delman (soprano) More from my archives (Oak Grove)
A valuable documentation of Delman’s versatility, musically, repertoire-wise and linguistically [GF]
Elisabeth Schumann (soprano): Elisabeth Schumann’s Swan Song (Parnassus)
Late recordings, issued in their entirety for the first time, do not show the much loved soprano at her best [PT]
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