rmay

An intriguing narrative ballet from John Neumeier [RMay]

A delightful and important rediscovery [RMay]

A worthy symphony is paired with an enjoyably Romantic suite [RMay]

This newly filmed Royal Ballet performance becomes the first choice for Swan Lake [RMay]

Not a perfect Giselle – but still good to have [RMay]

Compromised accounts do not displace classic versions [RMay]

One of the best entries so far in this enterprising series [RMay]

Fine accounts of major pieces by an often-overlooked composer [RMay]

An outstanding performance marks the 50th birthday of MacMillan’s great ballet [RMay]

Three most engaging works from the pen of a neglected composer [RMay]

Let’s party! [RMay]

No masterpiece, but a well-performed and welcome addition to filmed Donizetti [RMay]

A mixed bag of goodies, distinctive and well worth a listen [RMay]

A mixed bag of repertoire produces varied results [RMay]

Scriabin from Brussels offers much to admire [RMay]

Attractively tuneful scores, little known but well worthy of revival [RMay]

Enjoyable world premiere recordings of long-lost music [RM]

A very generous new instalment in an enterprising ongoing series [RMay]

Take your seat in the stalls for scores from le cinéma français [RMay]

Valuable additions to a somewhat neglected conductor’s discography [RMay]

Intriguing and consistently well performed arrangements for cello quartet [RM]

Frederick Ashton’s pioneering ballet returns to Covent Garden in a brand new production [RMay]

New light on a largely forgotten conductor – and in better sound than previously thought [RMay]

A worthwhile supplement to more conventional productions [RMay]