rb
Rob Barnett
Sibelius: Sagas (Salamandre)
A hushed voice; music teetering on the cliff face between sorrow and excitement [RB]
Herrmann: Wuthering Heights (Chandos)
A great and extremely effective recording drenched in splendour [RB]
Airs and Graces (Tremula)
Virtuosic brilliance which like all enjoyable things leaves you regretting we could not have had more [RB]
Rubinstein: Cello Concertos (Northern Flowers)
Engagingly unfamiliar works from the last two centuries each presented with conviction [RB]
Weinberg: String Quartets (Alto)
Early accounts of two introspective quartets and of two often upbeat orchestral works [RB]
Bloch: Orchestral Works (Alto)
Often eloquently introspective but rising to anger and vigour [RB]
Clara Rockmore’s Lost Theremin Album (Bridge)
An affectionate tribute and mostly a pleasure that these recordings been set free [RB]
Harrison: Chamber Works (Resonus)
Chamber music pastures tilled by a little-known British melodist [RB]
Corfield Godfrey: The Nightingale and the Rose (Prima Facie)
Admiringly appraised … a contemporary ‘take’ on romantic and lush impressionism [RB]
Smith Brindle: Works for Solo Guitar Vol. 1 (Naxos)
Offers more than a servant’s entrance to this disregarded composer’s heritage [RB]
Elfman & Hailstork: Concertos (Naxos)
Two attractive recent American concertos in excellent performances [RB]
Mills B: Portraits (Claudio)
Water-coloured emotions; attractively gentle, outwardly modest music [RB]
Copland: Orchestral Works (Sony Classical)
An all-sorts mixture including some very moving recordings from six decades ago [RB]
Stevens: Chasing Shadows (Divine Art)
Variegated moods: lyricism and awkward edges [RB]
Mills B: Orchestral Works Vol. 8 (Claudio)
Stocked with sighs, shimmers and sadness … more Radagast than Mithrandir [RB]
Ives: Symphony 3, Three Places in New England (RCA)
A satisfying recital that is strong on earnest and shining integrity [RB]
Moorland Symphonies (Lyrita)
Does extremely well in introducing the reader to the man and his music [RB]
Kvandal: String Quartets (LAWO Classics)
Norwegian variety from a less regarded composer [RB]
Creston: Piano Music (Toccata Classics)
Savage … touchingly melodic, melting and romantically inclined [RB]
Nordheim: The Tempest (Lawo Classics)
Speaks directly and pleasurably to the composer’s creative impulse [RB]
Mazzoli: Dark with Excessive Bright (BIS)
Music that fascinates but has no place for ingratiation or meeting the general listener half-way [RB]