Oehms Classics
Donizetti: Dalinda (Oehms Classics)
Good, honest, open-throated singing in an intriguing and highly enjoyable reconstruction of a formerly lost work – and a star performance by the lead soprano [RMo]
Haydn: The Creation (Oehms Classics)
(Déjà Review) A quality product that should give great pleasure to all lovers of this masterpiece [GF]
Schumann: Piano Works (Oehms Classics)
(Déjà Review) A major recording achievement [JL]
Elgar: Symphony No. 1, Cockaigne Overture (Oehms Classics)
A swift, cohesive, sensitive and beautifully played account of the greatest English symphony [RMo]
Clarke: Viola Sonata, Violin Sonata (Oehms Classics)
Rebecca Clarke’s string sonatas chart her movement from Brahms to modernism [JW]
Bartók: Piano Works (Oehms Classics)
(Déjà Review) Bach is a most musical pianist whose understanding of the Bartókian idiom should be sampled [CC]
Mahler: Symphony No. 3 (Oehms Classics)
Another fine but essentially redundant issue in this Mahler series [RMo]
Wagner: Tristan und Isolde – An Orchestral Passion (Oehms Classics)
A brisk and brusque compendium of the main Tristan themes for the impatient, would-be Wagnerian [RMo]
Bruckner: The Symphonies – Organ Transcriptions Vol. 6 (Oehms Classics)
A virtuoso player vividly brings to life a transformed orchestral masterpiece [MSt]
Wagner: Das Rheingold (Oehms Classics)
(Déjà Review) Both performance and engineering are of the highest quality [GD]
Mahler: Symphony 2 (Oehms Classics)
A fine, flexible, sensitive reading somewhat hampered by a lack of sheer weight in the orchestra [RMo]
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