LSO Live
Rózsa, Bartók: Violin Concerti (LSO Live)
A truly outstanding recording in every respect [PRJ]
Mendelssohn: Elijah (LSO Live)
A fine, dramatic, beautifully sung live recording headed by Finley’s noble Elijah [RMo]
Dvořák: Symphonies No.6-9; Smetana: Má vlast; Janáček: Sinfonietta (LSO Live)
A fitting celebration of the Year of Czech Music and the silver jubilee of LSO Live [JQ]
Meyerbeer: Le prophète (LSO Live)
It is pleasing to see Meyerbeer operas receiving attention and this live recording is first-class [MC]
Meyerbeer: Le prophète (LSO Live)
A welcome release that promises much but doesn’t always deliver [MP]
Shostakovich: Symphony No 11 ‘The Year 1905’ (LSO Live)
Certainly the finest recording of the modern era [MB]
Britten: Spring Symphony, Sinfonia da Requiem (LSO Live)
Three superb Britten readings, including possibly the finest Spring Symphony on disc [GPJ]
Britten: Spring Symphony, Sinfonia da Requiem, Young Person’s Guide (LSO Live)
A successful and enjoyable Britten anthology [JQ]
Janáček: Káťa Kabanová (LSO Live)
A good cast and excellent sound are featured on Rattle’s challenge to the Mackerras hegemony [MP]
Janáček: Káťa Kabanová (LSO Live)
We seem to observe the tragic events as they might really have happened – no hyperbole, just committed singing [MS]
Elgar: Orchestral Works (LSO Live)
Best avoided – there are many far superior options [RMo]
Rissmann: Wonderland (LSO Live)
Witty, irreverent, lush scores aimed at the kid in all of us [DMD]
Shostakovich: Symphony No 6 & 15 (LSO Live)
A slightly tame 6th coupled with a magnificent 15th [WH]
Berlioz: Les Troyens (LSO Live)
(Déjà Review) The finest opera CD I have heard this year [MB]
Bruckner: Symphony 6 (LSO Live)
Controversial and underwhelming Bruckner from Rattle [LD]
R Strauss: Also Sprach Zarathustra (LSO Live)
A patchy Zarathustra and a good Jeux, but you’ll find better performances of both elsewhere [ST]
Bruckner: Symphony 4 (LSO Live)
Rattle’s ‘Romantic’ replete with missed opportunities [LD]
Beethoven: Violin Concerto (LSO Live)
A good performance of the concerto, fatally undermined by completely unsuitable cadenzas [JQ]
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