jw

A problematic genre gives a reviewer problems [JW]

The luscious hot dance music of Eduard Künneke meets Eisler’s boring agit-prop [JW]

Further evidence that Stock was an exceptionally able conductor [JW]

Forgotten but Restored: the art of a fluent, fleet but nervous Danish pianist and Nielsen specialist [JW]

RCA LPs restored, showing Elman schmoozing his way through Mozart and encore trinkets [JW]

Lively and sympathetic playing of Stanley’s flute sonatas [JW]

Vignettes, salon charmers and genre pieces from women composers [JW]

A compact survey of favourites and unknowns beautifully presented and adroitly performed [JW]

(Déjà Review) Sample the slow movement of the New World and hear a magician at work [JW]

(Déjà Review) Onslow’s is a voice that should be heard and not simply in relation to other bigger names [JW]

A German traditionalist heard in music written before his enforced emigration to England [JW]

(Déjà Review) A splendid opportunity to get to grips with a large body of Bacewicz’s chamber music [JW]

This transfer from a chuff-spattered LP is a non-starter [JW]

A long overdue salute to an overlooked Auer student and a Canadian violinist of technical polish [JW]

A number of works catch the ear [JW]

Pioneering recordings by a superb violist at the height of her powers [JW]

(Déjà Review) Fine performances of seldom heard repertoire [JW]

A previously unissued live Sinfonia antartica heads this 40th anniversary Boult release [JW]

A splendid start to a Parry pianistic odyssey [JW]

Karajan in Lucerne in largely unreleased performances [JW]

Instrumental finesse in Baroque arias reimagined as composed jazz vehicles [JW]

Backhaus’s earliest recordings reappear, in largely pre-existing restorations, to renewed triumph [JW]

The first recording of Ethel Smyth’s Der Wald is severely underwhelming [JW]

A jazzy trio of violin concertos performed by the dashing Benjamin Schmid [JW]