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Colin Clarke
Shostakovich, Prokofiev, Scriabin: Piano Sonatas; Stravinsky: Serenade (ECM)
(Déjà Review) An absolutely tremendous disc, from all angles [CC]
Beethoven: Piano Concertos No 1 & 5 (RCA)
(Déjà Review) This disc enjoys the privilege of being one of the worst I have heard for many a moon [CC]
Telemann: Don Quixote Suite (Naxos)
(Déjà Review) Pure delight, this. Buy it [KS] – Thoroughly enjoyable fare. This is a most approachable coupling. [CC]
Ernst Wilhelm Wolf: Four Symphonies (Naxos)
(Déjà Review) Wolf can attain depths of expression that seem to post-date his period [CC]
Beethoven: Piano Trios (Naxos)
A wonderful disc, well recorded and containing some magnificent playing [CC]
Brahms: Ein deutsches Requiem (Naxos)
(Déjà Review) This performance is forever recommended, especially in this transfer [CC]
Hommage à Evgueni Svetlanov (Naïve)
(Déjà Review) Eloquent testimony to Svetlanov’s stature as a conductor [CC]
Christine Brewer (soprano) Great Operatic Arias (Chandos)
(Déjà Review) Chandos’s faith in Brewer has been justified, completely and utterly [CC]
Schubert: Lieder with Orchestra (Deutsche Grammophon)
(Déjà Review) A disc to return to many, many times [CC]
Rachmaninov & Ravel: Piano Works (Naïve)
(Déjà Review) Indulgence is avoided, lending more, not less, emotive weight to the cascades of sound [CC]
Tchaikovsky: The Queen of Spades (Delos)
(Déjà Review) A real feeling of spontaneity and excitement [CC]
Schulhoff: Hot Music (BIS)
(Déjà Review) Many pleasures in these near-ideal performances [CC]
Brahms: Violin Sonata No 1-3 (Warner Classics)
(Déjà Review) Versions to return to on a regular basis [CC]
Mahler: Symphony No. 4 (Avie)
More than a curio, this Fourth has an appeal and an impact all of its own [CC]
Beethoven: Symphonies 5 & 6 (Hänssler Classic)
Expect to be surprised, moved and possibly irritated [CC]
Nicola Benedetti (violin) Szymanowski, Saint-Saëns & Chausson (Deutsche Grammophon)
Quite a debut – a truly excellent Szymanowski [CC]
Britten: The Turn of the Screw (Opus Arte)
(Déjà Review) James’ story in Britten’s setting emerges magnificently [CC]
Bartók & Dohnányi: Violin Sonatas (Caprice)
(Déjà Review) A triumph all round [CC]
Chopin: Piano Sonata 3 (Warner Classics)
Arrau’s Chopin enjoys something of classic status, and here are two perfect examples of why this is so [CC]
Patrick Gallois: French Flute Music (Naxos)
(Déjà Review) Not only for flautists – enjoyment and stimulation for all [CC]
Dutilleux: Symphony No 2, Métaboles & The Shadows of Time (EMI Classics)
(Déjà Review) The fine cohesive forces and undeniable emotive power of these pieces should surely serve to guarantee them a lasting place in the repertoire … the more one listens, the more there is to discover [CC]
Arturo Benedetti Michelangeli (piano) Mozart & Beethoven (Music & Arts)
A must-hear for Michelangeli fans, and indeed for all lovers of great pianism [CC]
Mischa Maisky (cello) & Martha Argerich (piano) In Concert (Deutsche Grammophon)
(Déjà Review) A magnificent triumph for all concerned [CC]
R Strauss: Ariadne auf Naxos (Deutsche Grammophon)
(Déjà Review) A reminder of all the strengths of this cruelly-underrated conductor/composer. Certainly, this is a major addition to the Strauss discography [CC]
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