MusicWeb International

A dazzling performance and production [JF]

The admirable art of violinist Eudice Shapiro, heard in core repertory [JW]

(Déjà Review) Ančerl and his wonderful orchestra are the ‘real thing’ – buy, hear and believe! [PJL]

Makes a very strong case for treating these sonatas as violin sonatas [GPu]

A beautifully burnished sound, but the dominance of slow tempos is a negative [DJB]

Haydn’s moving Stabat Mater reimagined – a success all around [LP]

A rewarding read [SG]

Poschner’s well-directed Complete Versions series continues [RMo]

A well-played but unbalanced programme [NB]

Expressive directness and frolicsome invention in a series of Boughton disc premieres [JW]

(Déjà Review) A delightful release which is a joy from first to last [HC]

First recordings of works that deserved to stay buried [DJB]

Controversial and underwhelming Bruckner from Rattle [LD]

Brawn turns out thoroughly impressive accounts of these last three very challenging sonatas [RC]

A fascinating journey through Baudelaire’s and Goethe’s poetic landscapes [GF]

Versions for hard-core period instrument enthusiasts [RMo]

A second souvenir of the art of this guitar duo, with special emphasis on the youthful brilliance of Ida Presti [JW]

An offbeat concept produces a very rewarding album [MP]

(Déjà Review) Lisztians need to hear Argenta’s Faust; his El Amor Brujo is perhaps the best ever [RB]

The sonatas are fabulous, but the trumpet duos do rather drag on [DJB]

Masterful, ideally executed and engineered recordings of Mozart’s three greatest symphonies [RMo]

Lively performances of little-known compositions from the end of the Baroque period [CRo]

An interesting corner of John Cage’s output expertly performed by a choir and conductor who really understand and enjoy working in the idiom [MS]

Some marvellous Strauss tone poems that mark the beginning of Rouvali’s stewardship of the Philharmonia [ST]