Rachmaninov: Symphony 2 (Chandos)
The luscious second symphony, recorded with rather too little presence for the strings [EJW]
Prokofiev: Symphony No.5 (The Cleveland Orchestra Recordings)
The Cleveland Orchestra stakes a claim to be currently the best in the world [DMD]
Lynch: Light Darkness (Pilfink Records)
An immensely satisfying exploration of dream, darkness and light [JF]
Wolf-Ferrari: Das Himmelskleid (Naxos)
A fine performance of an opera that may be best left forgotten [MP]
Smethergell: Overtures (cpo)
A colourful and vibrant collection of overtures by a little-known composer [JW]
Gevorg Hakobyan (baritone): Arias of Love and Sorrow (Delos)
Uncertain singing, but honest music-making and interesting repertoire [GF]
Donizetti: La favorita (Pristine Audio)
Superbly remastered, a second-rank Donizetti opera blighted by Poggi’s unattractive contribution [RMo]
Mendelssohn, Dvořák: Piano Trios (Warner Classics)
(Déjà Review) Much beautiful playing here, polished and musical [PJL]
Winterberg: Chamber Music Vol. 2 (Toccata Classics)
Complex, sometimes evanescent but sombre quartets from a Czech Jew [JW]
Tourout: Portrait of an Imperial Cantor (Passacaille)
Outstanding performances of music by an unjustly neglected master [JV]
Saint-Saëns: Violin Sonatas (BIS)
Very attractive music beautifully played and caught in ideally sympathetic sound [NB]
Bach & Pärt: Works for Violin & Orchestra (Pentatone)
Spry, lively performances in bold sound [DM]
Jacob Lateiner (piano) The Lost Art Vol. 2 (Parnassus)
A pianist deserving of wider currency [SG]
Dowland: [Complete] Lachrimae (Alpha Classics)
A fine survey of the Lachrimae with rather more verve and better balance than other options [RMo]
Chopin: Piano Concertos (BIS)
(Déjà Review) These fine chamber renderings of the Chopin concertos make them sound as if that is how they were meant to be [JL]
Les Chemins d’Amour (CD Accord)
(Déjà Review) It would be difficult to imagine a better duo partnership for this music [CH]
Rachel Podger (violin): Tutta sola (Channel Classics)
Quite exceptional performances of rarely heard pre-Bach Baroque solo violin works [PB]
Schubert: Lieder (Danacord)
Splendidly captures the mood of these songs, with all their varied emotions [JF]
Lovesick (Signum Classics)
A beautiful recital of mostly rare 17th Century songs on an immortal subject [GH]
Nathan Milstein (violin) Concertos (Urania)
Tried and tested staples from Milstein’s discography [JW]
McElroy: Tongues of Fire (SOMM)
Extends the tradition of Britten with an added edge of unflinching American-ness [DC]
Beethoven: Lettre à Elise (Mirare)
One of the most charming piano recitals that I have come across in years [KS]
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