Bach: The French Suites (Hyperion)
Enriching performances, informed by consummate musicianship [SG]
Beethoven & Schubert: String Quartets (Orchid Classics)
A highly attractive pairing of two of the greatest string quartets, interpreted and played to perfection [RMo]
Shostakovich: Symphonies Nos 4 & 11 (ICA Classics)
Rozhdestvensky conducts both symphonies with great authority and understanding [JQ]
Humperdinck: Königskinder (Naxos)
An enjoyable production of Humperdinck’s King’s Children, beautifully performed in effective modern staging [EJW]
Beethoven: Symphonies Nos 5 & 7 (Warner Classics)
(Déjà Review) The stuff of legends, but what are legends made of? [CH]
Böhm: Works for Organ (Naxos)
(Déjà Review) Very well played, and recorded in a beautiful clean, clear acoustic [SM]
Bach: Goldberg Variations (Deutsche Grammophon)
I’m not sure it is possible to overhype playing as good as this [DMD]
Composing Myself (Toccata Press)
One of the most important composer autobiographies [GH]
Schubert: Symphonies Vol. 3 (Chandos)
Excellent playing, woodwinds especially, but Brüggen brings more compelling, dramatic impact [MG]
Through The Night (BIS)
A stimulating medley of the best string music, beautifully executed [RMo]
Schumann: Symphony No. 1; Strauss: Sinfonia domestica (Orfeo)
(Déjà Review) Mitropoulos’ readings offer a must-hear, never less than fascinating experience [CC]
Cherubini: Medea (Warner Classics)
(Déjà Review) The set should be heard for its documentation of an extraordinary musical meeting [CH]
Auerbach: Milking Darkness (Challenge Classics)
Delta Piano Trio continue to excel in Auerbach’s music [LW]
Ekaterina Siurina (soprano): Where Is My Beloved? (Delos)
A stream of imperturbably sedate tone, virtually devoid of characterisation [RMo]
Puccini: Tosca (Pentatone)
An indifferent Scarpia, so this is not a premier choice, but great singing by Melody Moore and Ștefan Pop [GF]
Lully: Benedictus (Château de Versailles Spectacles)
An impressive testimony of Lully’s skills as a composer of sacred music [JV]
Beethoven, Berwald: Septets (BIS)
Two lovely chamber scores for strings and winds [SV]
Weyse: Sovedrikken [The Sleeping Draught] (Dacapo)
(Déjà Review) The score is bright, carries warm harmonies and is fast moving with enjoyable themes, and catchy motifs [RW]
Bach: Goldberg Variations (Simax Classics)
(Déjà Review) One of the most personal and original harpsichord recordings of the Goldbergs to be released in years [KM]
Orff: Prometheus (Orfeo)
A very original setting of the Aeschylus tragedy, declaimed and sung in Ancient Greek [RWe]
From Mannheim to Berlin (Challenge Classics)
Cello playing of the highest calibre [JV]
Korngold: Music for Violin, Cello & Piano (Et’cetera)
Good performances of Korngold’s earliest chamber works [SB]
Fraser-Simson: Complete Settings of Songs by A.A. Milne (EM Records)
A complete delight [WK]
Cunningham: Symphonies 5 & 6 (Navona Records)
Twentieth-century American, with its own set of highs and lows [SV]