Opera
Reviews of full operas as well as collections and recitals of arias
Strauss: Capriccio (Orfeo)
A good but hardly distinguished production, in terms of both performance and sound [RMo]
Puccini: Madama Butterfly (Pristine Audio)
A deeply touching Butterfly and a thrilling Pinkerton who are all the more striking in Pristine’s vivid remastering [RMo]
Rossini: Le Siège de Corinthe (C Major)
A fine cast of singers are thrown out to sea by a pointless, dismal production [MP]
Mozart: Mozart, You Drive me Crazy! (Alpha Classics)
Attractive in every respect to lovers of Mozart, or of opera in general [GF]
Donizetti: Dalinda (Oehms Classics)
Good, honest, open-throated singing in an intriguing and highly enjoyable reconstruction of a formerly lost work – and a star performance by the lead soprano [RMo]
Offenbach: La Belle Hélène (Regis)
Not for nothing has this Offenbach been counted among the five all-time great recordings of French opera [CH]
Thomas Quasthoff (bass- baritone) Evening Star (Deutsche Grammophon)
A cunningly devised programme ideally showcasing Quasthoff’s vocal versatility and dramatic gifts [RMo]
Wagner: Die Meistersinger von Nürnberg (Naxos)
Some good performances do little to redeem this drab, even absurd production of Meistersinger [LW]
Janáček: The Makropulos Case (Supraphon)
(Déjà Review) This has an unmistakably authentic feel about it [TH]
Opera Arias in Turin in 18th Century (cpo)
Charming but stylistically uniform arias from Turin in the later 18th century [CRo]
Schmidt: Fredigundis (Orfeo)
The only recording of Schmidt’s second opera does full justice to an unjustly neglected work [EJW]
Mascagni: Cavalleria rusticana & Leoncavallo: I Pagliacci (Pristine Audio)
A pleasure to hear Björling in these excellent Pristine transfers, even if these two roles are not amongst his greatest [PT]
Mercadante: Orazi e Curiazi (Opera Rara)
The best of a composer forever doomed to dwell in Verdi’s shadow, performed by a first-rate cast and starring the great Nelly Miricioiu [RMo]
Donizetti: La favorite (Naxos)
Javier Camarena as Fernand is worth a listen, but the singing on the whole is too compromised for a general recommendation [GF]
Strauss: Die schweigsame Frau (BR Klassik)
A lovely supplement to the complete live recording in much better sound [RMo]
Rossini: La Cenerentola (Warner Classics)
A welcome return to the catalogue of an excellent performance [RJF]
Gluck: Orfeo ed Euridice (Erato)
Thrilling Orfeo ed Euridice starring Jakub Józef Orliński [DF]
Shostakovich: Lady Macbeth of Mtsensk (Warner Classics)
(Déjà Review) A stunning recording – overcome your prejudice and buy it [RMK]
Mozart: Don Giovanni (Deutsche Grammophon)
(Déjà Review) This well sung performance in traditional sets and costumes will provide much enjoyment [RJF]
Britten: The Turn of the Screw (Opus Arte)
(Déjà Review) James’ story in Britten’s setting emerges magnificently [CC]
Leontyne Price (soprano) Personal Choice (Alto)
One of the most glorious female voices of the 20th century, in a selection from famous recordings [EJW]
Donizetti: Maria de Rudenz (Warner Fonit)
Coarse at times, but often exciting, as one would expect a bleeding nun to be [MP]
Jacqueline Delman (soprano) More from my archives (Oak Grove)
A valuable documentation of Delman’s versatility, musically, repertoire-wise and linguistically [GF]