Opera
Reviews of full operas as well as collections and recitals of arias
Mascagni: Cavalleria rusticana & Leoncavallo: I Pagliacci (Pristine Audio)
A pleasure to hear Björling in these excellent Pristine transfers, even if these two roles are not amongst his greatest [PT]
Mercadante: Orazi e Curiazi (Opera Rara)
The best of a composer forever doomed to dwell in Verdi’s shadow, performed by a first-rate cast and starring the great Nelly Miricioiu [RMo]
Donizetti: La favorite (Naxos)
Javier Camarena as Fernand is worth a listen, but the singing on the whole is too compromised for a general recommendation [GF]
Strauss: Die schweigsame Frau (BR Klassik)
A lovely supplement to the complete live recording in much better sound [RMo]
Rossini: La Cenerentola (Warner Classics)
A welcome return to the catalogue of an excellent performance [RJF]
Gluck: Orfeo ed Euridice (Erato)
Thrilling Orfeo ed Euridice starring Jakub Józef Orliński [DF]
Shostakovich: Lady Macbeth of Mtsensk (Warner Classics)
(Déjà Review) A stunning recording – overcome your prejudice and buy it [RMK]
Mozart: Don Giovanni (Deutsche Grammophon)
(Déjà Review) This well sung performance in traditional sets and costumes will provide much enjoyment [RJF]
Britten: The Turn of the Screw (Opus Arte)
(Déjà Review) James’ story in Britten’s setting emerges magnificently [CC]
Leontyne Price (soprano) Personal Choice (Alto)
One of the most glorious female voices of the 20th century, in a selection from famous recordings [EJW]
Donizetti: Maria de Rudenz (Warner Fonit)
Coarse at times, but often exciting, as one would expect a bleeding nun to be [MP]
Jacqueline Delman (soprano) More from my archives (Oak Grove)
A valuable documentation of Delman’s versatility, musically, repertoire-wise and linguistically [GF]
Bertin: Fausto (Bru Zane)
The first-ever Faust opera based on Goethe – and from a feminine perspective [PCG]
Wagner: Götterdämmerung (Pristine Audio)
The culmination of a great Ring cycle has a place among the best: scintillating singing, playing and conducting [RMo]
Ponchielli: La Gioconda (Pristine Audio)
A good but not quite superlative recording in enhanced sound [MBu]
Mozart: Così fan tutte (Deutsche Grammophon)
Despite cuts and a less than perfect ensemble, the sense of being a part of an exciting occasion is boldly realized here [MP]
Wagner: Die Walküre (Naxos)
A Wagner production from hell to be avoided at all possible costs [PCG]
Mascagni: Cavalleria rusticana & Leoncavallo: I Pagliacci (Pristine Audio)
Remarkable sonic restoration, almost recreation, and a must for Verismo opera lovers [EJW]
Wagner: Parsifal (Sony Classical)
A decent account of the score let down by vocalism which ranges from mediocre to poor [MBu]
Wagner: Siegfried (Pristine Audio)
Another majestic instalment of living theatre – the best so far – in Kna’s 1956 Bayreuth Ring, in superb sound but again afflicted by persistent coughing [RMo]
Mademoiselle Duval: Les Génies (Château de Versailles Spectacles)
A Baroque opera rarity is one of CVS’s happiest releases of recent years [MP]
Mozart: Don Giovanni (Orfeo)
(Déjà Review) A collector’s item specifically for opera buffs and Furtwängler fanatics which fills a gap in his recording legacy [AR]
Stanford: Shamus O’Brien (Retrospect Opera)
A Stanford opera; uneven and unsatisfactory but beautifully presented [JW]
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