Opera
Reviews of full operas as well as collections and recitals of arias
Breton: La Verbena de la Paloma (Naïve)
(Déjà Review) Recommendable both to lovers of zarzuela and to those new to it [RH]
Britten: A Midsummer Night’s Dream (Opus Arte)
A superior reissue of Peter Hall’s other superlative Britten production from Glyndebourne [PCG]
Cavalli: Il Xerse (Dynamic)
A welcome release, but with one important shortcoming [MP]
Smyth: Der Wald (Resonus)
The first recording of Ethel Smyth’s Der Wald is severely underwhelming [JW]
Puccini: Manon Lescaut (Pristine Audio)
A palpable improvement over the remastering of the original mono recording and a fine performance in itself [RMo]
Verdi: Falstaff (Warner Classics)
(Déjà Review) Truly one of the ‘Great Recordings of the Century’ [CF]
Jonathan Tetelman (tenor) The Great Puccini (DG)
A star Is born! Let’s hope he will resist overexposure [GF]
Stravinsky: Oedipus Rex (Dynamic)
A well-performed Stravinsky masterpiece, and a related work by Pizzetti [RWe]
Halévy: La Juive (Philips)
This sole studio recording of a thoroughly entertaining opera makes a strong case for its rehabilitation [RMo]
Mascagni: Cavalleria Rusticana (Naxos)
(Déjà Review) Mascagni is a powerful advocate of his own music – his fluid, dramatic reading is filled with moving moments and telling detail [FC]
Wagner: Götterdämmerung (Decca)
A recording for the ages, revealed in full splendour in a new re-mastering [JQ]
Hindemith: Cardillac (BR Klassik)
A fine tribute to the late conductor which currently has the field to itself on CD [MP]
Fux: La corona d’Arianna (Arcana)
Cuts aside, a very fine performance of one of Fux’s works for the stage [JV]
Purcell: Dido and Aeneas (Pentatone)
A colourful and dramatic performance of “The only perfect English opera” – with a modern twist [GF]
Puccini: Il trittico (Unitel Edition)
The superb Asmik Grigorian sings all three female leads in the generally impressive performances from the 2022 Salzburg Festival [RWe]
Gounod: Faust (Malibran-Music)
A beautifully sung Faust, expertly conducted and superior to the later studio recording in everything but sound [RMo]
Giordano: Fedora (Malibran-Music)
A powerful, idiomatic vintage recording of an unjustly neglected opera with some fascinating bonuses [RMo]
Mercadante: Il proscritto (Opera Rara)
Neglected for almost 200 years, but undoubtedly worthy of its revival [MC]
Halévy: La Juive (Malibran)
A compilation of superb recordings by some of the finest voices in this neglected opera [RMo]
Żeleński: Janek (Naxos)
A buttoned–up attempt to transfer verismo opera to Poland, simply misses the point [MP]
Britten: Noye’s Fludde (Pristine Audio)
Fine historical performances indispensable to any Britten collection [WH]
Wagner: Die Walküre (Altus)
Schippers’s great Osaka Die Walküre is one of the great treasures of the Wagner discography [MB]
Aureliano Pertile (tenor) Disques Columbia (Malibran-Music)
A compilation demonstrating the versatility and musicality of Toscanini’s favourite tenor [RMo]
Johnson: De Organizer, The Dreamy Kid (Naxos)
An interesting pair of early operas with roots in the African-American musical tradition [GF]