Opera
Reviews of full operas as well as collections and recitals of arias
Monteverdi: Stage Works (Apex)
(Déjà Review) Essential listening for all Monteverdi enthusiasts [JF]
Verismo – Preludi e Intermezzi (Onyx)
A disk for all lovers of melodious music with substance; a happy mix, superbly played [GF]
Cherubini: Medea (Pristine Audio)
This recording is an established classic, and should be in every decent opera collection, especially in this newest incarnation [GF]
Puccini: Manon Lescaut (Pristine Audio)
A jewel of a recording, splendidly remastered by Pristine [MP]
Donizetti: Don Pasquale (Opus Arte)
Well received when launched, with good singing and staging, this problematic production treats the title role unsympathetically [RWe]
Puccini: The Great Puccini (Deutsche Grammophon)
Yes – we are hearing something special here [RMo]
Lully: Thésée (Aparté)
Lully’s Thésée sounds glorious in this period-instrument performance [MC]
Humperdinck: Königskinder (Naxos)
An enjoyable production of Humperdinck’s King’s Children, beautifully performed in effective modern staging [EJW]
Cherubini: Medea (Warner Classics)
(Déjà Review) The set should be heard for its documentation of an extraordinary musical meeting [CH]
Ekaterina Siurina (soprano): Where Is My Beloved? (Delos)
A stream of imperturbably sedate tone, virtually devoid of characterisation [RMo]
Puccini: Tosca (Pentatone)
An indifferent Scarpia, so this is not a premier choice, but great singing by Melody Moore and Ștefan Pop [GF]
Weyse: Sovedrikken [The Sleeping Draught] (Dacapo)
(Déjà Review) The score is bright, carries warm harmonies and is fast moving with enjoyable themes, and catchy motifs [RW]
Fauré: Pénélope (Erato)
A subtle, carefully crafted opera, beautifully sung even if in the end it lacks melodic memorability [RMo]
The Paris Opera 1900-1960 (Malibran Music)
Ten very well-filled discs documenting six glorious decades at the Paris Opera [RMo]
Tippett: King Priam (Pristine Audio)
A superbly persuasive recording of Tippett’s most difficult opera [MP]
Corigliano: The Lord of Cries (Pentatone)
An astounding new opera from John Corigliano receives a benchmark performance [PCG]
Rodgers: Oklahoma! (Chandos)
A ground-breaking recording of a ground-breaking American musical [PCG]
Egk: Columbus (Orfeo)
An operatic rarity returns to the catalogue, and remains a worthwhile encounter [PCG]
Schreker: Der Schatzgräber (Naxos)
A musically and emotionally intense opera by a composer at the peak of his career [EJW]
Janáček: Káťa Kabanová (Unitel Edition)
Powerful performances, but spare and drab staging [LW]
Hindemith: Cardillac (BR Klassik)
This concert performance of Cardillac makes a strong case for the opera [MC]
Charpentier: David & Jonathas (Château de Versailles)
A staging of French baroque opera at its finest [MP]
Mozart: Le Nozze di Figaro (Opus Arte)
The singing doesn’t quite match the wonderful staging [DJB]