Opera

Reviews of full operas as well as collections and recitals of arias

Puccini: The Great Puccini (Deutsche Grammophon)

Yes – we are hearing something special here [RMo]

Lully: Thésée (Aparté)

Lully’s Thésée sounds glorious in this period-instrument performance [MC]

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Humperdinck: Königskinder (Naxos)

An enjoyable production of Humperdinck’s King’s Children, beautifully performed in effective modern staging [EJW]

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Cherubini: Medea (Warner Classics)

(Déjà Review) The set should be heard for its documentation of an extraordinary musical meeting [CH]

Ekaterina Siurina (soprano): Where Is My Beloved? (Delos)

A stream of imperturbably sedate tone, virtually devoid of characterisation [RMo]

Puccini: Tosca (Pentatone)

An indifferent Scarpia, so this is not a premier choice, but great singing by Melody Moore and Ștefan Pop [GF]

Weyse: Sovedrikken [The Sleeping Draught] (Dacapo)

(Déjà Review) The score is bright, carries warm harmonies and is fast moving with enjoyable themes, and catchy motifs [RW]

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Fauré: Pénélope (Erato)

A subtle, carefully crafted opera, beautifully sung even if in the end it lacks melodic memorability [RMo]

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The Paris Opera 1900-1960 (Malibran Music)

Ten very well-filled discs documenting six glorious decades at the Paris Opera [RMo]

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Tippett: King Priam (Pristine Audio)

A superbly persuasive recording of Tippett’s most difficult opera [MP]

Corigliano: The Lord of Cries (Pentatone)

An astounding new opera from John Corigliano receives a benchmark performance [PCG]

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Rodgers: Oklahoma! (Chandos)

A ground-breaking recording of a ground-breaking American musical [PCG]

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Egk: Columbus (Orfeo)

An operatic rarity returns to the catalogue, and remains a worthwhile encounter [PCG]

Visiting Robert Massard

by Ralph Moore

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Schreker: Der Schatzgräber (Naxos)

A musically and emotionally intense opera by a composer at the peak of his career [EJW]

Janáček: Káťa Kabanová (Unitel Edition)

Powerful performances, but spare and drab staging [LW]

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Hindemith: Cardillac (BR Klassik)

This concert performance of Cardillac makes a strong case for the opera [MC]

Charpentier: David & Jonathas (Château de Versailles)

A staging of French baroque opera at its finest [MP]

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Mozart: Le Nozze di Figaro (Opus Arte)

The singing doesn’t quite match the wonderful staging [DJB]

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Breton: La Verbena de la Paloma (Naïve)

(Déjà Review) Recommendable both to lovers of zarzuela and to those new to it [RH]

Britten: A Midsummer Night’s Dream (Opus Arte)

A superior reissue of Peter Hall’s other superlative Britten production from Glyndebourne [PCG]

Cavalli: Il Xerse (Dynamic)

A welcome release, but with one important shortcoming [MP]

Smyth: Der Wald (Resonus)

The first recording of Ethel Smyth’s Der Wald is severely underwhelming [JW]

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Puccini: Manon Lescaut (Pristine Audio)

A palpable improvement over the remastering of the original mono recording and a fine performance in itself [RMo]