Déjà Reviews

Re-published reviews from the archive

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Aldridge & Copland: Clarinet Concertos (Naxos)

(Déjà Review) An enjoyable new concerto and an old favorite, played with love and wit [BR]

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Bridge, Britten & Bax: Sonatas for cello and piano (Hänssler Classic)

(Déjà Review) A very special issue [BBr]

Quiet City (Sono Luminus)

(Déjà Review) Great tunes, bluesy excursions and limpid romanticism [JW]

Bruckner: Symphony No.0 (MDG)

(Déjà Review) The symphony should have broader appeal, and is certainly a satisfying listen [GD]

Borodin: Symphonies 1-3 (Naxos)

(Déjà Review) The Seattle Symphony have become a powerhouse in Russian repertoire [BR]

Arensky: Piano Music (Hyperion Helios)

(Déjà Review) A mesmerising recital… as charming as it gets [DM]

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Schubert: Symphony 9 (Pristine Audio)

Fascinating listening [JW]

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Spohr: Symphonies 8 & 10 (Hyperion)

A fine, musical, superbly engineered disc that guarantees much pleasure [CC]

American Music for Percussion Vol. 1 (Naxos)

(Déjà Review) So much here to delight the receptive ear – the most original percussion writing I’ve heard in ages [DM]

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Martha Argerich and Friends – Lugano 2010 (Warner Classics)

(Déjà Review) A very rewarding collection of wonderful music in excellent interpretations [OL]

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Wagner: Operatic Excerpts (Naxos Historical)

(Déjà Review) Reference pointers to incandescent live performances which, incredibly, take the drama and even the sound to a higher level [DH]

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Salieri: Il mondo alla rovescia (Dynamic)

(Déjà Review) A fascinating work in a pleasing debut recording [GPu]

Schnittke: Violin Sonatas (Naxos)

(Déjà Review) It’s hard to imagine more idiomatic, lively, sensitive and generally persuasive performances [MS]

Schubert: Symphonies 4 & 5 (Forgotten Records)

(Déjà Review) I don’t think I’ve heard a finer Schubert 4 [CH]

Rachmaninov: The Piano Concertos (Nimbus)

(Déjà Review) Consistently satisfying performances that reveal Rachmaninov’s music to the listener faithfully and without unnecessary ostentation [JQ][RB]

Schmitt: La Tragédie de Salomé & Le Palais hanté (Chandos)

(Déjà Review) An auspicious and impressive debut for this new performing team [NB]

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Mozart: Arias (Deutsche Grammophon)

One of the most thrilling bass recitals that has come my way [GF]

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Poulenc: Voyage à Paris (Hyperion Helios)

Lott is husky and lovely in her upper register and with controlled abandon where necessary [Byz]

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Mitropoulos conducts Mahler (Music and Arts)

(Déjà Review) An important and challenging set that deserves a place in any self-respecting Mahler collection [JQ]

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Piatti: Caprices for Cello (Naxos)

(Déjà Review) A real treat for fans of the cello: solo works imaginatively written and impeccably played [BR]

Liszt: Harmonies du soir (Decca)

(Déjà Review) An absolutely superlative recital [RBe]

Monteverdi: Vespro della Beata Vergine (Erato)

(Déjà Review) Sheer vitality and excitement [GH]

Liszt: A Faust Symphony (Sony Classical)

(Déjà Review) White heat roller-coaster thrills [IL]

Minkus: La Bayadère (Opus Arte)

(Déjà Review) One of the best productions of a classical ballet that the ROH has ever staged or filmed [MMB]