Author: Stan Szpakowicz

Lynch: Light Darkness (Pilfink Records)

An immensely satisfying exploration of dream, darkness and light [JF]

Wolf-Ferrari: Das Himmelskleid (Naxos)

A fine performance of an opera that may be best left forgotten [MP]

Smethergell: Overtures (cpo)

A colourful and vibrant collection of overtures by a little-known composer [JW]

Gevorg Hakobyan (baritone): Arias of Love and Sorrow (Delos)

Uncertain singing, but honest music-making and interesting repertoire [GF]

Donizetti: La favorita (Pristine Audio)

Superbly remastered, a second-rank Donizetti opera blighted by Poggi’s unattractive contribution [RMo]

Rachmaninov: Piano Concerti (Hyperion)

(Déjà Review) Revelatory and refreshing [KS]

Mendelssohn, Dvořák: Piano Trios (Warner Classics)

(Déjà Review) Much beautiful playing here, polished and musical [PJL]

Claudio Arrau (piano) The Complete Warner Classics Recordings (Warner Classics)

Aristocratic, authoritative and poetic performances [SG]

Malipiero, Ghedini & Casella: Cello & Orchestra (Naxos)

Ghedini’s work is the standout on this well-played, interesting disc [GPu]

Bronisław Gimpel (violin) Violin Concertos (Biddulph)

Gimpel’s Vox concertos: rich in virtuosity, glamour and colour [JW]

Glière: String Quartets (DUX)

Attractively confident and assured quartets in dramatic, virtuosic readings [NB]

Nebra & Corselli: Cantatas (Pan Classics)

Another step toward full appreciation of Spanish music of the 18th century [JV]

Dove: In Exile (Lyrita)

Music and performance can be recommended without reservation [JQ]

Mussorgsky: Symphonic Transcriptions by Stokowski (Deutsche Grammophon)

(Déjà Review) A fine new recording of Stokowski’s vividly orchestrated responses to Mussorgsky’s music [CT]

Castelnuovo-Tedesco: Piano Music (SOMM)

(Déjà Review) All credit to Bebbington and Somm for opening this stimulating door [RB]

Shostakovich: Symphonies 12 & 15 (Chandos)

Well played and well engineered but lacking character [NB]

Amadeus Quartet (Alto)

Deeply felt and beautifully played, flawless intonation and ensemble, but inferior balance and sound [RMo]

Visions Illuminées (Signum Classics)

Mary Bevan spreads her golden tones over the whole programme [GF]

Bristow & Fry: Symphonies (Bridge)

Early American romanticism – golden-age verve rather than dutiful museum revival [RB]

Wennäkoski: Sigla, Flounce, Sedecim (Ondine)

Brilliantly imagined, often beautiful works in splendid, committed performances [HC]

Their Voices (Dux)

A Polish-Jewish chamber programme focusing on the 1930s [JW]

A Bird Came Down the Walk (BIS)

(Déjà Review) One of those rare recital recordings that actually plays best as a recital [PSh]

JC Bach: Complete Opera Overtures (cpo)

(Déjà Review) Anthony Halstead’s marvellous players have caused me to spend several hours exploring this and related repertoire [DBi]

Ténèbres et Abysse (Château de Versailles Spectacles)

Excellent and often exciting performances of partly little-known music [JV]